Whilst this may seem at first blush an odd paring, the result was an evening of audience- friendly unplugged elegance, an intimate and colloquial conversation between two skilled and seasoned professionals.
What makes Julie Wilson extra special is that she is both the perfect performer and the perfect audience.
The virtuoso performance of Benet McLean on classical and jazz violin, jazz piano and vocals, blurs the divide between classical music and jazz.
Thankfully in the case of Carole J. Bufford, the talent exceeds the hype.
Gayner’s very first cabaret show is more than just a respectable attempt—it is a solid offering.
Cabaret Scenes, Cabaret,Singers,Vocalists,Supper Clubs,Nightclubs,Venues,Clubs,Cabaret Reviews,Great American Songbook,Songbook,American Songbook,Popular Song,Musicals,Show Tunes,Broadway Musicals, Standards,Reviews,Such a Wonderful Town,Celia Berk,Tex Arnold,You Can’t Rush Spring,musical director,Margaret Whiting, Michael Feinstein, Carol Hall,Laurel Massé,Riverdale,open mic,Lew Spence,Warren Vaché,Neal Hefti,Odd Couple,Debbi Whiting,Sally Mayes,Mamaroneck,musical director, Alex Rybeck,Jeff Harnar,Guinness Event,Metropolitan Room,Matthew Carey,Cabaret Confessional,Australia,Roger Schore,Tony Sheldon,Ana Lisa Bell,Nikki Aiken,London,Amanda McBroom,Richard Whiting,Gus Kahn,Ballroom,Billy Goldenberg,Alan and Marilyn Bergman
The twists and turns, flashbacks and revelations about the characters and their extraordinary experiences captivate and engage us from start to finish.
Cabaret Scenes Magazine: Vol XIX. No. 2 March/April 2014
