Gretchen Cryer & Gracie Hyland: House on Fire
Very special and might happily find its home in an off-Broadway house.
Very special and might happily find its home in an off-Broadway house.
One enormous evening of pure fun, brought to life by a talented cast and crew under Foster’s innovative direction.
With Schwartz’s instantly likable score and Chenoweth’s outsized talent, The Queen of Versailles was a feast for the eyes and ears that humanized a story about people we might not otherwise have cared for.
Showed us very little of this seductive high society and viewed the proceedings only through smoke-colored glasses.
Foster brought a sense of apt coherence to A Little Night Music that snapped the intricate plot into clarity so that the audience might revel in the proceedings and leave with a full heart.
I have never seen a good Broadway show be so profoundly damaged by the process of downsizing.
A cast of seven theater professionals (a mix of veterans and new faces) did all they could with the thin but over-complicated script.
Good Times features six quirky, diverse characters.