I Got Lost in His Arms - Cabaret Scenes

Klea Blackhurst: Everything That Traffic Will Allow

Blackhurst’s voice was thrilling in the way Merman’s was; it was clear, stentorian, and honest.

A consummate song stylist.

Their singing was especially fine.

Oberlin’s voice, which has become smokier and sexier over the years and possesses a richness and a radiance.

Michael Winther

A strong voice ... dramatic skills that make him special

Scheckter’s sensitivity stands out.

Arnaz is skilled at interpreting the lyric and using vocal dynamics wisely.

As fresh and as entertaining as any of the previous shows.

Few musicals boast scores as rich, rewarding, and just plain delightful.

The very definition of sophisticated cabaret artist.