O’Hara, like Streisand, is first and foremost an actor who sings from the perspective of a character. She endowed her classically trained, glorious legit voice (rare among current Broadway stars) with physical comedy or pathos depending on the lyric.
If there is a better pure singer performing on a cabaret stage than Christine Andreas, I have not heard that voice.
Beautiful soprano, impressive range, power, and impeccable phrasing.
The 29th New York Cabaret Convention: The Night and the Music
A beautiful sound with impressive range, power, and impeccable phrasing.
