Judy Barrat: The Way I See It

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Judy Barrat

The Way I See It

Tom Rolla’s Gardenia, West Hollywood, CA, October 24, 2015

Reviewed by Mary Bogue for Cabaret Scenes

Judy-Barrat-Cabaret-Scenes-Magaine_212Judy Barrat turned a perhaps predictable evening of spoken word into a palpable, living, breathing experience with her cerebral perspective articulated against the brilliant underpinnings of Ron Snyder at the piano – without sheet music.

Barrat unveiled “Sometimes,” a seductive telling of the power of words, woven with great care and her memory of asking her grandfather to “Tell me more pictures.

”  Judy writes in a full palette of colors with hues and intensities.

With wide strokes she painted comedic storytelling in “Crickets” – an amusing story taking place in old Mexico, and then a contemplative look at her father’s life with dementia, a broken tree in which you could see the inside, “secure in the knowledge that he would be there always” in “Ode to a Tree.”

Barrat revealed an energy-boosting surprise with the introduction of vocalist Angelo Divino garbed as the best-dressed Italian-American at the races, and pulled us into “Dream a Little Dream of Me,” her fully fleshed-out memoir as an 18-year-old girl who, with her girlfriend, spends time with two men who teach them how to bet, as she teaches them how to win. This was masterpiece storytelling.

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Jody Jaress sang “He Touched Me” in the background of Judy’s poem, “What Was That?.”

Ron Snyder created an exquisite moon-shadowed backdrop for Judy’s breathtaking “The Moon Fell,” a celestial dream of poetry which was stunning in its lyricism, filling our imagination with her richly picturesque images. Her encore, “Tango Argentina,” danced with all the drama, dips, and turns and left us with Buenos Aires energy. Barrat paints strokes of genius with her words, leaving us to imagine the possibilities should she paint ethereal lyrics next.

Mary Bogue

Mary Bogue’s journey into the world of jazz began in 1981 when she was accepted by the Monterey Jazz Festival to cover the event as a writer. It was there that jazz tenor saxophonist Buddy Tate introduced her to the legendary vocalist Helen Humes. Their interview, later published in Jazz Dispatch and distributed at the Playboy Jazz Festival, marked the beginning of Bogue’s deep connection to jazz and storytelling. One unforgettable moment came when Humes introduced her to Count Basie, saying, “Bill, this is my friend Mary. Mary, this is Bill.” That simple introduction sparked a lifelong love for jazz and a passion for writing. Among her early interviews was a conversation with the legendary Les McCann, a connection that would come full circle years later when McCann joined Bogue on her debut album, Don’t Go to Strangers, released in 2012. The album, celebrated with a launch party hosted by KJZZ, gained national airplay and recognition. Her follow-up albums, Blue Smoke and One Night of Sin, further solidified her place in the jazz world. In 2015, Bogue was honored as a Living Legend of Jazz and recognized by the Duke Ellington Society, the United States Congress, the State of California, and the City of Los Angeles. Her cabaret career took off at the iconic Gardenia in Hollywood and continued in New York at the Metropolitan Room. That same year, she joined Cabaret Scenes Magazine as a reviewer of both cabaret shows and CDs, continuing to champion jazz and cabaret through both performance and the written word. In addition to her accomplishments in music and journalism, Mary is also an accomplished visual artist. She has designed album covers and created a wide range of artwork, including oil paintings of blues singers and expressive watercolors. Her visual work, much like her music, reflects her deep passion for the soul and spirit of jazz and blues.