Terry Cole: Strictly a Lounge Act

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Terry Cole

Strictly a Lounge Act

Tom Rolla’s Gardenia, West Hollywood, CA, October 22, 2015

Reviewed by Mary Bogue for Cabaret Scenes

Terry-Cole-Cabaret-Scenes-Magazine_212People wrongly believe that diamonds are formed from coal, yet Terry Cole, in his classic tux, gave us a handful of diamonds in his debut show, opening with “Magic to Do,” accompanying himself on the piano. From the beginning he engaged his packed-house audience, proclaiming, “If I put you to sleep, I will never forgive you.
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Cole shined on Wayne Moore’s ballad “Special,” “the theme from my life, as I was just trying to …scratch and claw myself to the middle.” Cole is special and in telling his life story, including how he met and fell in love with life partner Glenn, he expressed astounding tenderness in “One in a Million You,” with fragility and gratitude. Later, he spoke of his heroic journey forged in the fire of life and death, beyond unfathomable measure and pressure, with grace, appreciation and song.

No diamond in the rough, Cole brought attention to the standing mic opposite the piano, suggesting that it has always taunted him to get out from behind the piano, “The microphone – tall, thin, straight…mocking me.” He shared yet another facet, relaying the less-than-perfect romance of distance and unspoken promises and heart-breaking honesty in a duet with Alan Jon who voiced “the other man,” in an a brilliant match to “Where Do You Start?” and “My Favorite Year.” This well-balanced call and response was truly a cut above.

Lori Donato graciously took over the piano as Cole submitted to the mic for his perfectly phrased encore, “I’ve Got the World on a String.” A carat is judged not by its size, but it’s weight, and Cole offered up a Liz Taylor-worthy jewel of a show.
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Mary Bogue

Mary Bogue’s journey into the world of jazz began in 1981 when she was accepted by the Monterey Jazz Festival to cover the event as a writer. It was there that jazz tenor saxophonist Buddy Tate introduced her to the legendary vocalist Helen Humes. Their interview, later published in Jazz Dispatch and distributed at the Playboy Jazz Festival, marked the beginning of Bogue’s deep connection to jazz and storytelling. One unforgettable moment came when Humes introduced her to Count Basie, saying, “Bill, this is my friend Mary. Mary, this is Bill.” That simple introduction sparked a lifelong love for jazz and a passion for writing. Among her early interviews was a conversation with the legendary Les McCann, a connection that would come full circle years later when McCann joined Bogue on her debut album, Don’t Go to Strangers, released in 2012. The album, celebrated with a launch party hosted by KJZZ, gained national airplay and recognition. Her follow-up albums, Blue Smoke and One Night of Sin, further solidified her place in the jazz world. In 2015, Bogue was honored as a Living Legend of Jazz and recognized by the Duke Ellington Society, the United States Congress, the State of California, and the City of Los Angeles. Her cabaret career took off at the iconic Gardenia in Hollywood and continued in New York at the Metropolitan Room. That same year, she joined Cabaret Scenes Magazine as a reviewer of both cabaret shows and CDs, continuing to champion jazz and cabaret through both performance and the written word. In addition to her accomplishments in music and journalism, Mary is also an accomplished visual artist. She has designed album covers and created a wide range of artwork, including oil paintings of blues singers and expressive watercolors. Her visual work, much like her music, reflects her deep passion for the soul and spirit of jazz and blues.