Marta Sanders: Follow Me

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Marta Sanders

Follow Me

Laurie Beechman Theatre, NYC, February 2, 2017

Reviewed  by Peter Haas for Cabaret Scenes

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jpg” alt=”Marta Sanders” width=”212″ height=”212″ /> Marta Sanders

There was merriment, mirth and marvelous music flowing within the Laurie Beechman Theatre as Marta Sanders took to the stage for four evenings of delightful songs and stories in her newest show, Follow Me.

With John McMahon at the piano and serving as musical arranger, Sanders—a MAC and Bistro Award  winner—offered  a valentine to travel as she took her audience on a grand tour of her twin passions: New York City and the rest of the world.

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Glamorous in now-snow-white hair and a simple, elegant gown, she mounted the stage and, inviting the audience to take a voyage-in-song with her, opened with a medley of “Follow Me” (Lerner  and Loewe), “Gotta Move” (Peter Matz) and “Gypsy in My Soul” (Clay Boland/Moe Jaffe). Following through with her theme, Sanders, in rich voice throughout, continued her musical travels—interspersed with tales of her adventures as a professional city tour guide—with such numbers as  “Around  the World” (Victor Young/Harold Adamson), “Come Fly with Me” (Jimmy Van Heusen/Sammy Cahn) and “Two for the Road (Leslie Bricusse/Henry Mancini).

Changes of  pace were the humorous “Hunk on the Bus” (written for Marta by Michael Greer) and John Wallowitch’s comic “Warsaw,” as well as Carol Hall’s powerful, sweet tale, “The Bus from Amarillo.

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” Sanders ended with a strong performance of Sondheim’s “I’m Still Here,” to affectionate and strong applause.

Added credits for the professionalism of the show go to co-directors Mark Nadler and Debra Zalkind.

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Peter Haas

Writer, editor, lyricist and banjo plunker, Peter Haas has been contributing features and performance reviews for Cabaret Scenes since the magazine’s infancy. As a young folk-singer, he co-starred on Channel 13’s first children’s series, Once Upon a Day; wrote scripts, lyrics and performed on Pickwick Records’ children’s albums, and co-starred on the folk album, All Day Singing. In a corporate career, Peter managed editorial functions for CBS Records and McGraw-Hill, and today writes for a stable of business magazines. An ASCAP Award-winning lyricist, his work has been performed at Carnegie Hall, Feinstein’s, Metropolitan Room and other fine saloons.