Terry Waldo
and his Gotham City Band
with Tatiana Eva-Marie
The Pocket, NYC, October 21, 2026
Reviewed by Jacqueline Parker

Pianist Terry Waldo began his show with the familiar “Maple Leaf Rag” by Scott Joplin, saying that this was the less serious side of the jazz world. He began it as a piano solo, then was subtly joined by Jay Lepley on drums. Finally the entire band joined in to deliver a rousing and memorable rendition of this popular and beloved piece. The group joined in with some singing on the next number, “Oh By Jingo! (Oh, By Gee! You’re the Only Girl for Me),” a novelty song from 1919 by Albert Von Tilzer and Lew Brown. At that point the performance felt like a private party with friends—the musicians were having as good a time as we were!
About midway through the program, the vocal star for the evening, Tatiana Eva-Marie, joined the merry band of players and began this segment with “Baby, Won’t You Please Come Home,” a Bessie Smith song from 1919 written by Charles Warfield and Clarence Williams. Her sense of the song and the yearning she conveyed were almost palpable. Her next selection was “I Double Dare You,” a popular 1937 swing and jazz standard by Jimmy Eaton and Terry Shand. She imbued that number with the same seductive quality that I believe is her trademark, to the delight of the audience, all the while kibitzing with the band. Waldo, who toured with Eubie Blake, paid tribute to him with his classic “Memories of You,” which he played alone before the band joined in to give it a distinctive delivery.

Tatiana returned with the dreamy “Stardust” (Hoagy Carmichael/Mitchell Parish) and then went into “Runnin’ Wild” from 1922, written by Arthur Harrington Gibbs with lyrics by Joe Grey and Leo Wood. It’s a song that was made unforgettable by Marilyn Monroe in Some Like It Hot.
Waldo is a man of few words, and I found most of them wry and funny: “If you don’t have a good time, it’s not worth listening.” “These songs are from the Not-So-Great American Songbook.”
It’s rare to have an evening where one feels privileged to be able to stay for the second set. Rarer still is feeling that the band is in a partnership of sorts with the audience to deliver an evening beyond expectation. There was such a bond with this group of artists, among themselves and with the audience, that they all felt like friends. In addition to Waldo on piano and Lelpley on drums, the band included the talents of Jim Fryer on trombone, Gavin Rice on saxophone, and Konstantin Gevondyan on cornet. There is nary a week that Waldo and his crew are not performing somewhere in Manhattan; wisit https://terrywaldo.com.
The Pocket is located at 140 West 46 Street and is still in its infancy, of sorts. One enters through an unmarked door, walks down a dark hallway, and then descends into the bowels of the Muse Hotel. There one finds a gorgeous room, with wood paneling and baize green upholstered banquettes, with all the tables dressed in white tablecloths and candles. After descending a few flights, it is surprising to find a room as elegant as the old Rainbow and Stars. It has great sightlines and holds 170. Even the cocktail glasses were stylish. Pictures of jazz greats adorn the walls, as well as posters from famous jazz festivals. It has a vibe somewhere between The Carlyle and 54 Below and is well worth a visit. The menu is impressive, and the onion rings are superlative. An interesting assembly of cocktails rounds out the culinary offerings.

