Gregory Toroian Holiday Show
Hearts Be Light
Pangea, NYC, December 2, 2025
Reviewed by Bart Greenberg

Respected music director/arranger/pianist/coach Gregory Toroian offered a holiday program at Pangea that featured several of the students from his workshop. Each of the five performers presented a mini-cabaret show filled with Christmas material. Of course, there was some variation of talent through the evening; a few of the singers were clearly ready for the next step, and one was an already established name who brought the concert to a close.
In his patented character as a funny curmudgeon, Toroian and his trio—Skip Ward on bass and David Silliman on drums—opened the evening with the charming “Schroeder Overture,” that featured the music from the classic Charlie Brown Christmas special by Vince Guaraldi.
Following that was the confident Brenda Henry. She knew her material and was sure of how to use her excellent voice. She projected a relaxed presence that allowed the audience to relax as well. Her quartet of numbers were fresh and clever, with a special highlight being the witty “Christmas in the Sand” (Colbie Caillat). Henry will definitely be heard from again.
Next up was Carolyn Wells. Unfortunately, she lacked the energy and certainty of her predecessor. But she did bring a specific southern twang to her selections, including the standard “Hard Candy Christmas” (Carol Hall). Jeff Stoner, the lone male singer in the group, followed. He brought a great sense of humor to his reminiscences of his childhood. With its consistency of attitude, his set perhaps seemed most like a mini-cabaret show. His “I’ve Got My Love to Keep Me Warm” (Irving Berlin) was breezy and charming.
Blessed with a velvety voice, Carol Savvas presented the most spiritually oriented songlist of the show. Sweet and charming, she included a touching rendition of “A Child Is Born” (Thad Jones/Alec Wilder) within her group of four songs. The best-known performer, Jackie Draper, seemed to have a tremendous time during her set. The most unusual number was the traditional “The First Noel,” here delivered in French as a gentle waltz.

