Gerilyn Sohn: Timeless: A Tribute to Bernadette Peters

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Gerilyn Sohn

Timeless: A Tribute to Bernadette Peters

Don’t Tell Mama, NYC, May 2, 2026

Reviewed by Bart Greenberg

Gerrilyn Sohn
Photo by Matt Baker

Gerilyn Sohn brought her lovely soprano voice to Don’t Tell Mama to pay tribute to the Broadway icon Bernadette Peters. Vocally, the two performers are a good match, and certainly Peters’ decades-long repertory of musical standards offered a wide range of styles and genres to be explored. Sohn indeed took advantage of this song list to offer a mix of Broadway standards and pop songs. What the evening lacked was a sense of energy and a personal touch.

Sohn was backed by tge A-list team of director Lennie Watts and music director/pianist Tracy Stark (along with bassist Marco Panascia), there were excellent musical moments, from the expected “Unexpected Song” (Andrew Lloyd Webber/Don Black) to the touching “Raining in My Heart” (George Haimsohn & Robin Miller/Jim Wise). There was a well-crafted medley of numbers Peters had sung on television. These included the lovely “Blame It on My Youth” (Oscar Levant/Edward Heyman), the bawdy “Making Love Alone” (Cheryl Hardwick/Marilyn Miller), and the ebullient “I’m Flying” (Carolyn Leigh/Moose Charlap).

The problem with the show presented itself as it went on. It wasn’t until the eighth number that Sohn shared with us the personal reasons for doing this show. The best tribute shows focus on the connection between performer and the one receiving the tribute. Here, we heard one charming story about some time Sohn spent with Peters and an amusing kicker to the tale. Other than that, most of Sohn’s patter was straightforward biography which drained passion from the evening.

Passion did appear late in the show with two Stephen Sondheim songs. “Last Midnight” and “Move On” brought out an emotional commitment and a dramatic arc largely lacking from the show. Sohn dropped any connection to Peters here and created some very vivid characters of her own for a major impact. The evening could have used more of this or more about Peters’ effect on her life—or both. As it was, the show was pleasant, but only sporadically did it reach beyond that.

Bart Greenberg

Bart Greenberg first discovered cabaret a few weeks after arriving in New York City by seeing Julie Wilson and William Roy performing Stephen Sondheim and Cole Porter outdoors at Rockefeller Center. It was instant love for both Ms. Wilson and the art form. Some years later, he was given the opportunity to create his own series of cabaret shows while working at Tower Records. "Any Wednesday" was born, a weekly half-hour performance by a singer promoting a new CD release. Ann Hampton Callaway launched the series. When Tower shut down, Bart was lucky to move the program across the street to Barnes & Noble, where it thrived under the generous support of the company. The series received both The MAC Board of Directors Award and The Bistro Award. Some of the performers who took part in "Any Wednesday" include Barbara Fasano and Eric Comstock, Tony Desare, Andrea Marcovicci, Carole Bufford, the Karens, Akers, Mason and Oberlin, and Julie Wilson. Privately, Greenberg is happily married to writer/photographer Mark Wallis, who as a performance artist in his native England gathered a major following as "I Am Cereal Killer."