Marilyn Maye
54 Below, NYC, April 14, 2026
Reviewed by Jacqueline Parker

Although I have referred to her in the past as the High Priestess of Cabaret, in her purple sequined pantsuit she looked more like royalty; perhaps it’s time to crown her the Queen of Cabaret. The only form of jewelry that was not present was a tiara, or in this case, a crown. Earrings, brooch, bracelets, and rings all added to the glitter, and there is only one person who qualifies for such a glowing introduction, and, of course, it’s the beloved singer Marilyn Maye.
The occasion was to celebrate—over several performances—her birthday. She’s another Aries songstress, and true to form, she is bold, ambitious, and energetic. She is a belter for sure but can revert to heartwarming tenderness in a split second, as she did with “Lazy Afternoon” (Jerome Moross/John Latouche) and “Misty” (Erroll Garner/Johnny Burke). In these numbers, her voice became a most comforting sound, rather like a grandmother comforting a child when it falls.
Her take on Frank Loesser’s “Joey, Joey Joey” was absolutely mesmerizing. Maye is a singer who, perhaps unintentionally, subtly reveals the poetry in a lyric. Her delivery gently demanded attention.
Maye addressed her audience frequently throughout the show, saying often how glad she was that we were all there. True Aries that she is, she playfully interacted with her musicians as well (Tedd Firth on piano, Tom Hubbard on bass, and Mark McLean on drums) much the way Johnny Carson did with his band.
A particular highlight was a medley of songs about New York. Some of the usual suspects were ignored and replaced with the tunes “There’s a Boat Dat’s Leavin’ Soon for New York” (George and Ira Gershwin/DuBose Heyward from Porgy and Bess) and “My Personal Property” (Cy Coleman/Dorothy Fields).
The evening ended with Jerry Herman’s rousing “It’s Today,” which aroused a standing ovation of rapturous applause of gratitude. And in case anyone is wondering, yes, she’s still kicking, literally and figuratively, which brought even more applause.
Anyone who takes the American Songbook seriously must witness Marilyn Maye to understand how great a performer she is. It must be exhausting to keep holding that bar of excellence so high. How she still has the energy to give us a high kick at the end of a show is a marvel. Brava, Marilyn!

