Marissa Mulder & Bill Zeffiro: You Can’t Make Old Friends

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Marissa Mulder & Bill Zeffiro

You Can’t Make Old Friends

Don’t Tell Mama, NYC, February 1, 2026

Reviewed by Bart Greenberg

Marissa Mulder and Bill Zeffiro

They just seemed to be having a good time. Marissa Mulder and Bill Zeffiro actually seemed to be good friends, unlike some singers and pianists who seem to have met five minutes before the show. That they often referenced their age gap just made their teasing more personal and playful. If their bantering was scripted, you could never tell it from the audience’s response. As they offered a great mix of solos and duets in their new show, You Can’t Make Old Friends, they took the audience along on a fun ride. As they asserted in their opening number, they are truly “Two of a Kind” (Walden Cassotto/Johnny Mercer).

Mulder brought a great warmth and an emotional stillness to her ballads, which included “The Way You Look Tonight” (Dorothy Fields/Jerome Kern) and “Make You Feel My Love” (Bob Dylan). Zeffiro provided lush and playful accompaniments for both these numbers and as he did for others throughout the show. Of course, he got to perform his own solos, such as his own composition of “I’ve Still Got New York,” which demonstrated his skill as a vocal stylist. His partner in music gushed afterwards, “That was really good.” Later in the show, he offered a show-stopping version of “Home Sweet Heaven” (Noël Coward/Hugh Martin/Timothy Gray), and told us the backstage story of how it came to be.

Other delights followed, ranging from the silly to the sublime. Has anyone heard the song “Life’s a Trippy Thing” (Howard Greenfield/Linda Laurie)? It was a duet for Frank and Nancy Sinatra, and it falls somewhere between weird and terrible. The merry duo had fun with it before they segued into the far more successful recording for that father/daughter pair, “Something Stupid” (Carson Parks). “How About You?” (Burton Lane/Ralph Freed) was given a contemporary revamp in its lyrics, but it retained the bouncy fun of the original. and Mulder’s solo on “As Time Goes By” (Herman Hupfeld) was sheer romantic perfection. Sometimes songs you feel you never need to hear again can become fresh and alive when they are performed by the right singer. Mulder and Zeffiro have that magic touch.

Bart Greenberg

Bart Greenberg first discovered cabaret a few weeks after arriving in New York City by seeing Julie Wilson and William Roy performing Stephen Sondheim and Cole Porter outdoors at Rockefeller Center. It was instant love for both Ms. Wilson and the art form. Some years later, he was given the opportunity to create his own series of cabaret shows while working at Tower Records. "Any Wednesday" was born, a weekly half-hour performance by a singer promoting a new CD release. Ann Hampton Callaway launched the series. When Tower shut down, Bart was lucky to move the program across the street to Barnes & Noble, where it thrived under the generous support of the company. The series received both The MAC Board of Directors Award and The Bistro Award. Some of the performers who took part in "Any Wednesday" include Barbara Fasano and Eric Comstock, Tony Desare, Andrea Marcovicci, Carole Bufford, the Karens, Akers, Mason and Oberlin, and Julie Wilson. Privately, Greenberg is happily married to writer/photographer Mark Wallis, who as a performance artist in his native England gathered a major following as "I Am Cereal Killer."

This Post Has One Comment

  1. William Zeffiro

    Dear Bart
    Thank you for this lovely, lovely review!
    I’m going to have a hard time, convincing people I didn’t write it myself!
    Always great to see you and thank you for coming to see us
    My very best
    Bill

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