Mark Christian Miller: Music in the Air

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Mark Christian Miller

Music in the Air

(Sliding Jazz Door Productions)

April 1, 2022

Reviewed by Mary Bogue

Maybe because spring is truly in the air, but Mark Christian Miller’s new CD release, Music in the Air, makes one feel bouncy and buoyant, floating on a dream. Somehow life improves just by listening to Miller’s fresh approach to “If You Never Fall in Love with Me” (Del Sasse/Sam Jones/Donald Wolf). Jamieson Trotter’s innovative arrangements and piano stylings evoke visions.

It’s impossible not to fall in love with his easy-going version of “Lullaby of the Leaves” (Bernice Petkere/Joe Young), as Miller swings in his own personable style. Soon, you’re flying with the title cut (Gigi Gryce/Lee Sears/Quisim Bashir/Jon Hendricks). With his crisp and conversational vocal stylings, Miller is clearly the navigator of this journey to heaven; he’s easy to understand, and his singing is clearly beautiful.

Don’t miss his “I Wished on the Moon” (Ralph Rainger/Dorothy Parker) as bassist Mike Gurrola’s solo will have you fully engaged, and Miller continues to convey sentiments with loving emotion. His sideman Kevin Winard shows brilliant restraint on drums, and Danny Janklow on alto sax is positively enthralling. Guitarist Larry Koonse ensures you have a ticket to paradise on “If You Could See Me Now” (Tadd Dameron/Carl Sigman).

The Music in the Air CD is yet another great accomplishment from Mark Christian Miller. He weaves a dreamy rendition of “Prelude to a Kiss” (Duke Ellington/Irving Mills/Irving Gordon) and leaves us with his personal kiss, one on which to build a dream of joining him on a floating cloud of love. He is masterful at dream-weaving.

Available at all the usual outlets.

Mary Bogue

Born to upstate New York parents Nelson Binner and Gladys Witt, Mary Bogue was the fourth of five children. Her love of acting was apparent early in her life, when she acted out imagined scenes in the second story hallway of their home on Division Street. Moving to California in 1959 only fueled the fire and soon she tried out and got the part in Beauty and the Beast, a children's production at The Old Globe Theatre in San Diego. The bug followed her into junior and high school productions, but when she struck out on her own in the early 70s, she found it wasn't as easy as sitting at the world famous Schwab's on Sunset. Her first audition stopped her dead in her tracks for years when the "casting director" expected nudity. It was only in 1990 that she returned to her first love, albeit slowly as she was a caregiver to 16 foster daughters. Only when she was cast in Antonio Bandera's directorial debut, Crazy in Alabama (1999)(which she was cut from) did she pursue this dream.