Bob O’Hare: Unfinished Business: A Love Story

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Bob O’Hare

Unfinished Business: A Love Story

Don’t Tell Mama, NYC, April 15, 2018

Reviewed by Bart Greenberg for Cabaret Scenes

Bob O’Hare

With Unfinished Business, charming Bob O’Hare created a song cycle utilizing standards (mostly from Broadway) to portray a love story from first meeting (“My First Love Song” from The Roar of the Greasepaint…) through marriage (“I Do! I Do!”), difficulties (“My Own Space” and “Nobody’s Perfect”) to contentment (a lovely medley of “You and I” from the film musical Goodbye, Mr. Chips, “Two for the Road,” and “Not a Day Goes By”). Beyond an opening welcome and the usual thanks at the end, there were no spoken words, just a flow of beautiful music presented with sensitivity and humor via the singer’s flexible and comfortable voice. O’Hare’s movements are limited, due to health issues, but his fine delivery makes up for the static stage picture.

Some other wise choices included the mix of two Rodgers & Hart gems: “Have You Met Miss Jones?
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” (including the rarely heard verse) and “I’ll Tell the Man in the Street,” beginning with a conversational style and growing more expansive with the emotional release of the latter.
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A bit later in the program, a heartfelt segue from Stephen Sondheim’s “Happiness” into “What Are You Doing the Rest of Your Life?” proved a program highlight. One excellent surprise was “Unfinished Business” (Alan Menken and David Spencer) from the yet-to-reach New York City The Apprenticeship of Duddy Kravitz.

O’Hare was backed up by the very fine Tom Nelson Trio (Nelson on piano, Tom Kirchmer on bass, and Peter Grant on drums), which provided sensitive support throughout. The show was directed with a sure hand for dramatic ebb and flow by Eric Michael Gillett.
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Bart Greenberg

Bart Greenberg first discovered cabaret a few weeks after arriving in New York City by seeing Julie Wilson and William Roy performing Stephen Sondheim and Cole Porter outdoors at Rockefeller Center. It was instant love for both Ms. Wilson and the art form. Some years later, he was given the opportunity to create his own series of cabaret shows while working at Tower Records. "Any Wednesday" was born, a weekly half-hour performance by a singer promoting a new CD release. Ann Hampton Callaway launched the series. When Tower shut down, Bart was lucky to move the program across the street to Barnes & Nobel, where it thrived under the generous support of the company. The series received both The MAC Board of Directors Award and The Bistro Award. Some of the performers who took part in "Any Wednesday" include Barbara Fasano and Eric Comstock, Tony Desare, Andrea Marcovicci, Carole Bufford, the Karens, Akers, Mason and Oberlin, and Julie Wilson. Privately, Greenberg is happily married to writer/photographer Mark Wallis, who as a performance artist in his native England gathered a major following as "I Am Cereal Killer."