Eric Comstock & Barbara Fasano: Come a Little Closer

  • Post author:
  • Reading time:3 mins read

Eric Comstock & Barbara Fasano

Come a Little Closer

The Cabaret at Germano’s, Baltimore, MD, October 24,2019

Reviewed by Michael Miyazaki for Cabaret Scenes

Barbara Fasano & Eric Comstock
Photo: Maryann Lopinto

In Come a Little Closer, Eric Comstock and Barbara Fasano present a slate of songs exploring the theme of interpersonal connections. 

As America’s First Couple of Cabaret, naturally they start with an exploration of marriage. A combination of “Witchcraft” and “How Little We Know” reinforced the mysteries of marriage. The Marvin Hamlisch/Craig Carnelia “I Cannot Hear the City” featured ravishing harmonies and a beautiful visual of the couple intertwined on the piano bench. The duo followed with a particularly romantic duet version of John Wallowitch’s “Come a Little Closer.”

Comstock and Fasano also had noteworthy individual moments. His reading of “If I Only Had a Heart” had a sweet sentimentality that had the audience collectively sighing on the phrase “and be even worthy erv ya,” and he made the satiric Randy Newman song “Political Science” seem like the inevitable solution for our troubled times.  

The dramatic highlight of the evening was Fasano’s trilogy of Joni Mitchell songs the included “Cactus Tree,” “A Case of You,” and “Marcie.” The sequence provided a dramatic arc of the stages of sexual awakening, exhilaration, and disappointment, with Mitchell-esque idiosyncrasies flavoring the piano and vocal arrangements.

Of course one expects performers of this caliber to be technically proficient, but still one has to admire how their mastery of the craft of performance allows them to accomplish so much. Their flawless diction is what enabled the audience to appreciate the wit of the lyrics. Comstock’s keen sense of rhythm and innovative arrangements makes us hear standards with fresh ears. Fasano’s ability to vary herself within the performance space provides the audience with a variety of stage pictures that enhance the material.

The rousing ovation at the end of the program and the crowd’s enthusiasm through three encores demonstrated that in the end, Comstock and Fasano’s most important connection, in this show about connections, is with their audience.

Michael Miyazaki

Michael Miyazaki is a Washington DC/Baltimore area-based performer, director, and writer. He has performed at various venues in the DC area, and his most recent show is Thanks for the Memories: The Musical Legacy of Bob Hope. He has appeared with numerous local theater troupes including Scena Theatre, the Source Theatre, and Fraudulent Productions. He has attended the Perry-Mansfield Cabaret Workshop (working with master teachers Andrea Marcovicci, Karen Mason, Barry Kleinbort, Christopher Denny, Shelly Markham, and David Gaines), and has also studied under Sally Mayes, Tex Arnold, Lina Koutrakos, Rick Jensen, Amanda McBroom, and Alex Rybeck. He is the creator of the blog The Miyazaki Cabaret Update: DC & Beyond (currently on hiatus) and is a member of the DC Cabaret Network and the Arts Club of Washington.