Josh Carr and Scottie Roche
The Wrong People Travel
Pangea, NYC, September 6, 2019
Reviewed by Bart Greenberg for Cabaret Scenes
It is not uncommon in the world of New York cabaret to see duos who are siblings (the Nunziatas), family (all the Sullivans), or loving couples (Eric Comstock and Barbara Fasano). However, The Wrong People Travel may be the first show to feature ex-lovers who went through a nasty break-up and a devastating accident and then found themselves back together as devoted friends. On the stage of Pangea, Josh Carr and Scottie Roche share their rather unique backgrounds (Carr spoke warmly of a surrogate mom who was “a cross between Auntie Mame and the Mayflower Madam”) along with the decided highs and lows of their relationship.
A delightful set of mostly Broadway songs assembled by jovial music director Karl Saint Lucy and director Topher Cusumano tell the singing duo’s tale, ranging from the campy “Lovesick” (David Yazbeck), delivered by Carr on their first meeting, to a duet on the gentle “A Quiet Thing” to commemorate their falling in love while traveling together, an activity that served to unite and reunite their relationship. Their open relationship was celebrated with another joint number, “As Long as You’re Happy” (Charles Strouse and Richard Maltby, Jr.) and a spirited “Arthur in the Afternoon” by the big-voiced Roche, acknowledging the “other man” in their life—who, ironically, proved to be the other man for both of them. Carr also offered a lesser-known gem, “I’ve Found a New Baby” (Jack Palmer and Spencer Williams), about this era of their partnership as well.
After a staged break-up, and an on-stage squabble about the break-up—“I dumped you first!”—Roche offered a beautifully understated “Unusual Way.” Carr suffered a terrifying accident, being struck down by a reckless driver, but in recovering he found “A Change in Me,” which led him to return to his passion for traveling and his favorite companion. They wound up the show with a riotous “Why Do the Wrong People Travel?,” giving Roche a chance to use his operatic range for comic effect and the two to demonstrate the comfortable partnership they share.