Tom Culver: Duke’s Place

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Tom Culver

Duke’s Place

Upstairs at Vitello’s, Los Angeles, CA, March 7, 2019

Reviewed by Mary Bogue for Cabaret Scenes

Tom Culver

Imagine a swinging night of mostly Duke Ellington tunes arranged in new and exciting ways that electrified the crowd as Tom Culver swung the doors wide open to Duke’s Place (the title of his new CD) with a sweep of panache, a familiar and friendly voice, and talent well-honed over the years.

Like the cool Ellington, Culver, swank in a white tuxedo jacket, was glass-smooth on “I’m Just a Lucky So and So” (lyrics by Mack David) and stellar on “Mood Indigo” (Barney Bigard/Mitchell Parrish), warmed up by Ann Patterson on sax. A killer arrangement and juke house feel on “Duke’s Place” (William Katz and Ruth Roberts) drove the sold-out crowd into passionate applause. Pianist Rich Eames gave the Duke a run for his money. Next, guitarist Pat Kelley was perfect on “Forever Didn’t Last Until Spring” (Tom Culver/Effie Joy).
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Culver finished an absolutely magical evening, with the thrilling crescendo, “Caravan,” (music: Juan Tizol). Driven by Gabe Davis on bass and Kevin Winard on drums, it came alive.
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Eames dropped in, and each note became a hot stepping stone. Nolan Shaheed’s solo on trumpet came off as a snake charmer to the audience and Winard and Patterson turned up the heat. It was hot, hot, hot! It burned like the desert sun, and in return, a much-deserved standing ovation was delivered.

Culver offered as his encore, the cool and quenching. “Harlem Butterfly (Johnny Mercer). A perfect cabaret show.

His new CD, Duke’s Place, can be found online at the usual places.

Mary Bogue

Mary Bogue’s journey into the world of jazz began in 1981 when she was accepted by the Monterey Jazz Festival to cover the event as a writer. It was there that jazz tenor saxophonist Buddy Tate introduced her to the legendary vocalist Helen Humes. Their interview, later published in Jazz Dispatch and distributed at the Playboy Jazz Festival, marked the beginning of Bogue’s deep connection to jazz and storytelling. One unforgettable moment came when Humes introduced her to Count Basie, saying, “Bill, this is my friend Mary. Mary, this is Bill.” That simple introduction sparked a lifelong love for jazz and a passion for writing. Among her early interviews was a conversation with the legendary Les McCann, a connection that would come full circle years later when McCann joined Bogue on her debut album, Don’t Go to Strangers, released in 2012. The album, celebrated with a launch party hosted by KJZZ, gained national airplay and recognition. Her follow-up albums, Blue Smoke and One Night of Sin, further solidified her place in the jazz world. In 2015, Bogue was honored as a Living Legend of Jazz and recognized by the Duke Ellington Society, the United States Congress, the State of California, and the City of Los Angeles. Her cabaret career took off at the iconic Gardenia in Hollywood and continued in New York at the Metropolitan Room. That same year, she joined Cabaret Scenes Magazine as a reviewer of both cabaret shows and CDs, continuing to champion jazz and cabaret through both performance and the written word. In addition to her accomplishments in music and journalism, Mary is also an accomplished visual artist. She has designed album covers and created a wide range of artwork, including oil paintings of blues singers and expressive watercolors. Her visual work, much like her music, reflects her deep passion for the soul and spirit of jazz and blues.