Veronica Swift and the Emmett Cohen Trio

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Veronica Swift and the Emmett Cohen Trio

 

Birdland, NYC, January 5, 2019

 

Reviewed by Ron Forman for Cabaret Scenes

 

Veronica Swift

Veronica Swift, at age 23, has already established herself as one of today’s top jazz vocalists. Each time I see her, she displays more confidence on stage and her remarkable voice gets even stronger.
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This set had her belting, then swinging, then switching gears to sing a very funny song. She has a very relaxed stage persona that makes her fun to watch, and her off-the-cuff remarks are often quite funny. Swift has a distinctive style and sound that make each number her own creation.
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She is backed by the Emmet Cohen Trio—Cohen (piano), Russell Hall (bass), Kyle Poole (drums)—each of whom had ample chances to show off their musicianship with lengthy solos.
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The show opened with the trio playing a lengthy, very jazzy “Time on My Hands.” Swift came out belting a very believable “Stranger in Town” and followed with an up-tempo “I Don’t Want to Cry Any More” featuring a super-fast solo by Cohen. Her unique phrasing made her performance of “The Man I Love” memorable. She took a song from Thoroughly Modern Millie, “Forget About the Boy,” and sang it with an arrangement that made it sound like a song written in the 1940s. Everybody got into the act, joining Swift with solos for a dynamic performance of Pete Rugolo’s “Interlude.
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” Her ability to do a comical song was on display with Dave Frishberg’s “I’m Hip.” Her very interesting medley of “Confession” and “The Other Woman” displayed her perfect comic timing for the former and her dramatic ability for the latter. She closed by swinging and scatting through “After You’ve Gone,” which featured exciting solos by Cohen, Hall, and Poole, and built to a crescendo.
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Ron Forman

Ron Forman has been a Mathematics Professor at Kingsborough Community College for 45 years. In that time, he has managed to branch out in many different areas. From 1977 to 1994 he was co-owner of Comics Unlimited, the third largest comic book distribution company in the USA. In 1999,after a lifetime of secretly wanting to do a radio program, he began his weekly Sweet Sounds program on WKRB 90.3 FM, dedicated to keeping the music of the Great American Songbook alive and accessible. This introduced him to the world of cabaret, which led to his position as a reviewer for Cabaret Scenes.