Tedd Firth Trio
with Special Guest Brian Stokes Mitchell
Birdland Theater, NYC, January 12, 2019
By Candace Leeds for Cabaret Scenes
It was a reversal of roles for acclaimed musical director/jazz pianist/arranger Tedd Firth to be the featured performer and host of the show instead of quietly supporting singers at the piano. He presented four evenings at the Birdland Theater, each with a singer he has worked with over the years: Tom Wopat, Laura Osnes, Marilyn Maye (who proudly sat in the audience this night), and, finally, Brian Stokes Mitchell.
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“It’s given me a different perspective, being the person who is the center of attention,” he admitted.
His trio included Mark McClean on drums and David Finck on bass, a pair he’s worked with for years.
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He began with a 1926 song, “Sunday” (Chester Conn/Jule Styne) followed by “Where Were You When I Needed You” (Stevie Wonder). While most of the arrangements were his, “Fly Me to the Moon,” (Bart Howard) was based on the arrangement by Oscar Peterson, a jazz pianist whose sense of exuberance and joy Firth said he loves.
Brian Stokes Mitchell dazzled with Firth’s jazzy, theatrical arrangement of “There’s No Business Like Show Business” (Irving Berlin), followed by “It Amazes Me” (Cy Coleman/Carolyn Leigh). His third and final song, another masterful arrangement by Firth, “Love for Sale” (Cole Porter), showcased Stokes’ rich and powerful voice and ebullient personality.
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Throughout the show, Firth’s fingers flew on the keyboard, and his jazz arrangements took the songs to new levels.
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He spoke of the elusive CD he made over 12 years ago with his trio but never released because he was so busy working with wonderful singers.
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“Just give me your email and you can download it,” he said several times.
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At last it’s available.