Toshi Cappuccino
Super Late Bloomer
The Duplex, NYC, January 7, 2018
Reviewed by Chris Struck for Cabaret Scenes
![](https://cabaretscenes.org/wp-content/uploads/2017/11/toshi-cappuchino-cabaret-scenes-magazine_212.jpg)
Toshi Cappuccino brought his big voice and bravado back to The Duplex for a sometimes playful, often risqué self-written musical, Super Late Bloomer, set to air in Tokyo, Japan this month. The show, performed completely from a script written in Japanese, flowed chronologically and smoothly through Cappuccino’s life journey to becoming a New York cabaret performer.
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As expected of Cappuccino, his smooth projection and booming voice were only matched by his dedication to capturing his specific audience’s attention and imagination. The setting of a dressing room, complete with multiple costume changes before our eyes, certainly struck a particular chord with the Japanese ladies. At one point, he displayed an impressive build, stripping down to only a pair of briefs before putting on a revealing yukata with a pink mesh front.
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While that might have drawn envy from the men, he tended to get a lot more laughs from them, especially for his jokes and his song “Yobai,” about sneaking into a boy’s bedroom to have sex.
Unfortunately, Cappuccino’s lovely pianist, Migiwa Miyajima, won’t be joining him abroad. She has been a constant companion for a few years, and Cappuccino built a shout-out to her and her excellent work into the show. Finally, the highlight of the night was the title song/finale, “Super Late Bloomer,” which has the catchy line, “I will trust myself and never give it up/I’m gonna run, run, run,” to which many of the audience members could already sing along. Cappuccino clearly took his performance very seriously and, after three shows at The Duplex, I think he is ready for his performance across the Pacific.