Jonathan Karrant

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Jonathan Karrant

H.O.M.E. House of Music and Entertainment, Beverly Hills, CA

August 28, 2015

Reviewed by Mary Bogue for Cabaret Scenes

Jonatahn-Karrant-Cabaret-Scenes-Magazine_212Jonathan Karrant was born to do just what he does in front of a microphone. Back in the day, he’d be in the company of Sinatra, Martin and Davis. Karrant’s style is purely sharkskin-suit classic, so much so that one only needs to close one’s eyes and to hear the smooth essence of Johnny Hartman, the groove of Tony Bennett and the hip takes on standards that Michael Bublé provides.
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And not one iota is forced.

Singing on stage at an astounding seven years old, and now in his late 20s, Karrant has so much stage cool that when the sound engineer at H.
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O.M.E. literally fell asleep at the wheel, the audience was in an uproar, but Karrant calmly repeated his opening number “I’m Gonna Love You,” and moved effortlessly and quite aptly into “Wrap Your Troubles in Dreams (and Dream Your Troubles Away).”

Clearly he is at home wherever he goes, but H.O.M.E. Was heartless this evening; the same engineer bathed him in all green.
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An audience member somewhat resolved it, leaving him an island of red light and nowhere to move without looking bilious. Still, he killed with “Having a Good Time” showcasing his perfect phrasing, and his talent to tenderly massage the lyrics in “When October Goes,” where pianist Llew Matthews stretched out and explored the nostalgia of the music.

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“Lady in Red,” Karrant’s newest single, showcased his ability to take what was a dance-beat hit and turn it into a romantic ballad, allowing his rich baritone to caress the imagination. Look for Jonathan’s CD On And On at the usual places. You might want to buy two copies, keeping one to share with someone you truly love.

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Mary Bogue

Mary Bogue’s journey into the world of jazz began in 1981 when she was accepted by the Monterey Jazz Festival to cover the event as a writer. It was there that jazz tenor saxophonist Buddy Tate introduced her to the legendary vocalist Helen Humes. Their interview, later published in Jazz Dispatch and distributed at the Playboy Jazz Festival, marked the beginning of Bogue’s deep connection to jazz and storytelling. One unforgettable moment came when Humes introduced her to Count Basie, saying, “Bill, this is my friend Mary. Mary, this is Bill.” That simple introduction sparked a lifelong love for jazz and a passion for writing. Among her early interviews was a conversation with the legendary Les McCann, a connection that would come full circle years later when McCann joined Bogue on her debut album, Don’t Go to Strangers, released in 2012. The album, celebrated with a launch party hosted by KJZZ, gained national airplay and recognition. Her follow-up albums, Blue Smoke and One Night of Sin, further solidified her place in the jazz world. In 2015, Bogue was honored as a Living Legend of Jazz and recognized by the Duke Ellington Society, the United States Congress, the State of California, and the City of Los Angeles. Her cabaret career took off at the iconic Gardenia in Hollywood and continued in New York at the Metropolitan Room. That same year, she joined Cabaret Scenes Magazine as a reviewer of both cabaret shows and CDs, continuing to champion jazz and cabaret through both performance and the written word. In addition to her accomplishments in music and journalism, Mary is also an accomplished visual artist. She has designed album covers and created a wide range of artwork, including oil paintings of blues singers and expressive watercolors. Her visual work, much like her music, reflects her deep passion for the soul and spirit of jazz and blues.