Bettye LaVette at Yoshi’s San Francisco

  • Post author:
  • Reading time:2 mins read

Bettye LaVette

Yoshi’s San Francisco, San Francsico, CA, August 14, 2014

Reviewed by Steve Murray for Cabaret Scenes

Bettye-Lavette-Cabaret-Scenes-Magazine_212Bettye LaVette is very cognizant of her current favor, both popular and commercial. She’s milking her 50-year overnight success with a celebration of her career in song, from the R&B, soul and gospel-rooted early hits, like her first, “My Man—He’s a Lovin’ Man,” 1972’s “The Stealer,” Lucinda Williams’s “Joy” and a searing cover of Bob Dylan’s 1989 “Everything Is Broken.” At the ripe young age of 68, Lavette is not one to rest on her laurels. With her hard-edged band, featuring Alan Hill on keys and Brett Lucas on sizzling guitars, LaVette is expanding her range into exquisite covers of material that seems written with her pleading, raw, emotional vocals in mind. A slowed down “Like a Rock” is a confessional of incredible depth and conviction, as is George Harrison’s “Isn’t It a Pity” and Tom Waits’s “Yesterday’s Here.” There aren’t many singers who can match Lavette’s soulfulness. Imploring us to feel the lyrics, she connects with our emotions on a level few performers can match. Closing with “(As Close As I’ll Get to) Heaven,” her song of gratitude, LaVette is sitting pretty and certainly thankful for the long, hard road to success.

Tags: , , , , ,

Steve Murray

Always interested in the arts, Steve was encouraged to begin producing and, in 1998, staged four, one-man vehicles starring San Francisco's most gifted performers. In 1999, he began the Viva Variety series, a live stage show with a threefold mission to highlight, support, and encourage gay and gay-friendly art in all the performance forms, to entertain and document the shows, and to contribute to the community by donating proceeds to local non-profits. The shows utilized the old variety show style popularized by his childhood idol Ed Sullivan. He’s produced over 150 successful shows, including parodies of Bette Davis’s gothic melodramedy Hush, Hush Sweet Charlotte and Joan Crawford’s very awful Trog. He joined Cabaret Scenes 2007 and enjoys the writing and relationships he’s built with very talented performers.