Anyone Can Whistle - Cabaret Scenes

Meg Flather: Epiphany

The wide range of characters created by Flather is one of the hallmarks of her work; her wonderful and varied vocals are another.

A voice and a presence to be reckoned with.

He was debonair and droll, but he could be unabashedly moving.

The same energy and vitality that propelled her to stardom and a Tony Award in 1976 was still evident.

She is admired, respected, and loved.

Errico and Firth are masters of their craft just as Sondheim was of his. The combination was a match made in musical-theater heaven.

Millet has a lovely soprano voice reminiscent of Shirley Jones and of the comic sensibility of Carol Burnett.

Errico and music director Tedd Firth chose jazz as a fresh way to present this material.

She is genuine, sincere and caring.

His tenor was lovely, and his sensibility was thoroughly appealing.