Girl from the North Country
Without the music, unfortunately, the play reveals that this is not McPherson’s best work.
Without the music, unfortunately, the play reveals that this is not McPherson’s best work.
A dizzying ride of excess, exaggeration, and jukebox tunes.
Joe Tracz's book of sputtering sci-fi/adolescent paranoia is flimsily wrapped in sophomoric silliness.
Brightman throws his energy full force into any character he takes on, Caruso is a new talent to watch, and the cast is praiseworthy.
Traditionalists beware. The current Oklahoma! is not all golden and not at all hazy.
The music is what will bring you to this theater.