Lynda D’Amour: Only When I Laugh
This was cabaret at its best.
This was cabaret at its best.
I would be remiss if I didn’t mention Abernathy’s beautiful resonant tenor; its warm timbre added luster to each of his offerings.
She swung, crooned, and balladeered her way through the Great American Songbook as if born to it.
Mary Catherine established herself as one of the top cabaret performers in Boston.
One enormous evening of pure fun, brought to life by a talented cast and crew under Foster’s innovative direction.
With Schwartz’s instantly likable score and Chenoweth’s outsized talent, The Queen of Versailles was a feast for the eyes and ears that humanized a story about people we might not otherwise have cared for.
Showed us very little of this seductive high society and viewed the proceedings only through smoke-colored glasses.
Foster brought a sense of apt coherence to A Little Night Music that snapped the intricate plot into clarity so that the audience might revel in the proceedings and leave with a full heart.
A cohesive song cycle that provides a tender massage for the listener’s ears, mind, and heart.