Sidney Myer

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Sidney Myer

Pangea, NYC, November 22, 2021

Reviewed Ron Forman

Sidney Myer

Who can I compare Sidney Myer to as a cabaret artist? The answer is NOBODY. He is a marvelously unique performer unlike any I have seen. I have witnessed Sidney steal the show on a number of occasions at the Cabaret Convention and other venues where he was a guest star, but I had never seen him do a solo show, until his extended stay at Pangea. His droll personality produces continuous laughter, and his unusual style of singing, body language, and facial expressions work especially well with funny songs and equally well when he performs sentimental ballads. Myer is the manager/booker at the iconic Don’t Tell Mama cabaret, and he hilariously listed the stars (actually relatives of stars) who have appeared at DTM beginning with Paul Newman’s daughter and ending to loud laughter with Barry Manilow’s mother. He even got the audience to sing along on two numbers, “Maricón” and “Bella Note”

Music director Tracy Stark’s work on piano was perfectly matched to his singing style, as was her voice when she joined him in song.

Myer’s eclectic mix of songs ranges from a very soft and lovingly done “Namely You” from Li’l Abner to the boisterous “Maricón,” which includes the line “It’s the most famous name in Latin America.” Stark joined him vocally on “I Love You” from Little Me. He even included a lilting Irish tune—“The Kerry Dance.” He made the entire SRO audience smile with “You’re Never Fully Dressed Without a Smile,” from Annie. He closed to great applause with a wonderful performance of “It’s So Nice to Have a Man Around the House.” His very kinetic encore number, Alan Sherman’s “Good Advice,” left us laughing as he walked off stage.

Ron Forman

Ron Forman has been a Mathematics Professor at Kingsborough Community College for 45 years. In that time, he has managed to branch out in many different areas. From 1977 to 1994 he was co-owner of Comics Unlimited, the third largest comic book distribution company in the USA. In 1999,after a lifetime of secretly wanting to do a radio program, he began his weekly Sweet Sounds program on WKRB 90.3 FM, dedicated to keeping the music of the Great American Songbook alive and accessible. This introduced him to the world of cabaret, which led to his position as a reviewer for Cabaret Scenes.