Georgia Stitt
The Me of the Moment: A Show About Re-Invention
Birdland, NYC, November 18, 2019
Reviewed by Bart Greenberg for Cabaret Scenes
The songwriter/singer Georgia Stitt returned to Birdland for a new concert of her works that concentrated on the subject of re-invention. However, she admitted that the title of the show could have been “Georgia Stitt and the Best Freakin’ Voices on Broadway!
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” Considering the talent that shared the stage, that wouldn’t be too much of an exaggeration. The songwriter herself has a great talent for combining a contemporary sound and language with traditional musical theater structure for excellent effect, both emotional and comic.
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Stitt launched the show by performing “The Me of the Moment,” a great choice that it felt like the first major song in a musical, the traditional “I Want” song. There was a lovely backbone to the entire evening in the ebb and flow of the songs created a dramatic arch. Her first guest was the dynamo Jessica Vosk, she of the effortless belt and surprising comic skills. One of her selections was “Casual,” a clever song with echoes of the work of Richard Maltby, Jr. and David Shire in its colloquial, character-based lyrics and conversational music.
Brandon Victor Dixon provided the most political number of the evening with “The Great American Black and White,” using both his impressive voice and his passion to put it over. Later, Andrea Jones-Sojola with her the shimmering classical voice presented one of the art songs of the program, a summing up of the show appropriated called “Re-Creation.”
The other art song presented, “The Water Is Wide,” was sung by the glorious Kate Baldwin, The diva, a good friend of the composer, happily reappeared several times throughout the show, offering a lovely “Something You Do,” a meditation on motherhood, another reoccurring theme of the presentation. She took part in an offering from Stitt’s newest project, The Snow Child, a musical set in Alaska. Baldwin sang the tender “How I See You” with heart-breaking simplicity to a wild child she attempts to draw nearer through her sketches. The robust Matt Bogart performed perhaps the only musical theater tribute to stalking antlered prey with “Moosehunt Breakdown,” finding both humor and a dramatic desperation in the tune.
However, the emotional high point of the evening was provided by young Molly Brown, Stitt’s teenage daughter. Singing a charming tale of unrequited love in the school-band set, “My Lifelong Love,” the performer showed incredible poise and fielded a powerhouse voice. Stitt beamed from the piano bench as her progeny stopped the show. For a show about reinvention, how appropriate it was to have a member of the next generation take her rightful place among the top talent in the program.
