Jenn Gambatese: Once Upon a Melody

Jenn Gambatese

Once Upon a Melody

Feinstein’s/54 Below, NYC, April 17, 2018

Reviewed by Randolph B. Eigenbrode for Cabaret Scenes

Jenn Gambatese

Is there anything more glorious than a great melody?

Jenn Gambatese luckily champions the type of song whose choruses are so melodic that they engrain in your memory for, perhaps, ever. Whether by musical theater team Richard Rodgers and Oscar Hammerstein II or from the songbook of Disney movies, there is no doubting the pedigree of songwriting that has gone into her selected gems.

And Gambatese, with her healthy mix that teeters between legit soprano and contemporary pop belter, is in grand voice. Serving up anthems like “Part of Your World” (Alan Menken/Howard Ashman), “A Change in Me” (Menken/Tim Rice), and “The Sound of Music” (Rodgers & Hammerstein), we find ourselves quietly singing along.
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Her phrasing is particularly pleasing, pushing through bar line after bar line — almost in a challenge of her lung capacity.

Yes, the music soars. But, crucial to every cabaret, what do we learn about Gambatese? Unfortunately, very little. She toiled through most selections as if they were theatrical presentations rather than imbuing them with her point of view and style.
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“I Have Confidence” (Rodgers) brimmed with Maria von Trapp moxie. “Poor Unfortunate Souls” (Menken/Ashman) slinked with Ursula’s villainous venom. And “Practically Perfect” (George Stiles/Anthony Drewe), employing the classic RP accent, dripped with Mary Poppins’ prim and proper air.

In fact, this showing seemed hell-bent on displaying just how perfect Gambatese is. The patter and staging were slick; extremely well (over?) rehearsed. Even her short and stylish hair style seemed to stay magically affixed, never allowing one strand to fall out of place. But, it’s the unexpected and messiness that most often endear an artist to an audience.

In her one personal moment, Gambatese was radiant. A pairing of “Getting to Know You” (Rodgers & Hammerstein) and “You’ll Be in My Heart” (Phil Collins), dedicated to her two children, was accompanied by a powerpoint of sweet photographs. Taking in the visuals, Gambatese softened.
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Her typically thick voice took on a shy flutter. And her eyes came alive as she shared an honest love for both family and motherhood.

While the selections were brimming with melodic heaven, Gambatese’s showing could have used more dissonance for accessible effect. 

Randolph B. Eigenbrode

Randolph is the newest addition to the writing staff at Cabaret Scenes. He is a cabaret teacher, previously teaching with legend Erv Raible, and his students have gone on to success in the field with sold-out shows and many awards. He is also a director and that, combined with a knowledge of the art form and techniques that cabaret performing encompasses, makes him love reviewing NYC’s cabaret scene. When not catching the Big Apple’s crazy talent, Randolph loves 1970s variety shows, mall Chinese food, Meryl Streep films and a good cold glass of pinot grigio.