Vonda Shepard

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Vonda Shepard

Feinstein’s at the Nikko

San Francisco, CA, November 18, 2016

Reviewed by Steve Murray for Cabaret Scenes

Vonda Shepard
Vonda Shepard

Two opening numbers defined Vonda Shepard’s new tour in support of 2015’s CD Rookie: “In July,” a tasty tale of life on the road from 2002 and “Just Don’t Get It,” from her new album. They represent her signature sound: soft pop ballads and well-crafted, hook-driven, upbeat blue-eyed soul. A hit since her Emmy and Golden Globe-winning role as a nightclub singer on Ally McBeal and her four bestselling soundtrack albums from the show, Shepard and longtime collaborators bassist Jim Hanson and guitarist James Ralston continue to churn out a high-energy evening of solid musicianship.

Shepard shows off her R&B vocal chops on songs like “Respect Yourself” (Luther Ingram/Mack Rice), buoyed by some sizzling guitar work from Ralston, who worked with Tina Turner for 22 years, and some heavy grooves and vocal harmonies by Hanson. On “I Know Better,” she demonstrates her considerable songwriting skills, full of introspective romantic imagery.
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Ditto for two selections off 1996’s It’s Good, Eve CD: “The Wildest Time of the World” (Michael Landau/Shepard) and “Every Now and Then.”

Shepard, Hanson and Ralston create a lot of sound, blending seamlessly into a single unit, the result of years of touring and arranging. A nice addition to the set was a sweet version of Frank Loesser’s “What Are You Doing New Year’s Eve?
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” and, of course, her chart-topping crowd favorite “Searchin’ My Soul” (Shepard/Paul Howard Gordon), used on the Ally McBeal soundtrack, but written much earlier. Shepard continues her highly successful formula and that’s a very good thing.
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Steve Murray

Always interested in the arts, Steve was encouraged to begin producing and, in 1998, staged four, one-man vehicles starring San Francisco's most gifted performers. In 1999, he began the Viva Variety series, a live stage show with a threefold mission to highlight, support, and encourage gay and gay-friendly art in all the performance forms, to entertain and document the shows, and to contribute to the community by donating proceeds to local non-profits. The shows utilized the old variety show style popularized by his childhood idol Ed Sullivan. He’s produced over 150 successful shows, including parodies of Bette Davis’s gothic melodramedy Hush, Hush Sweet Charlotte and Joan Crawford’s very awful Trog. He joined Cabaret Scenes 2007 and enjoys the writing and relationships he’s built with very talented performers.