Laura Osnes

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Laura Osnes

Feinstein’s at the Nikko, San Francisco, CA, April 22, 2016

Reviewed by Steve Murray for Cabaret Scenes

Laura-Osnes-Cabaret-Scenes-Magzine_212Last December at the Nikko, two-time Tony nominee Laura Osnes wowed her fans with a selection of songs from her many stage successes. For this return engagement, she showed us the “paths not taken,” roles she auditioned for, but did not get.

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Backed by longtime friend and musical director Fred Lassen (Finding Neverland, South Pacific, Dirty Rotten Scoundrels), Osnes opened with an upbeat rendition of “Not for the Life of Me” (Jeanine Tesori/Dick Scanlan) from Thoroughly Modern Millie, which became her go-to college audition song. The funny love declaration “All for You” (Lynn Ahrens/Stephen Flaherty) from Seussical and “Bring It On” (Lin-Manuel Miranda/Tom Kitt/Amanda Green), which was cut from the final production of the same name, displayed Osnes’ humorous side.

From her screen test for television’s Smash, Osnes sang “Let Me Be Your Star” (Marc Shaiman/Scott Wittman) and Johanna’s lovely ballad “Green Finch and Linnet Bird” (Sondheim) from Sweeney Todd. Osnes possesses a lovely clear soprano which was buoyed by Lassen’s lyrical accompaniment. It’s easy to see why she was chosen for the roles she did receive, but highlights how competitive her world is after hearing her sing these wonderful songs that went to others. Highlights of the show were “When I Fall in Love” (Lindsay Warren Baker/Amanda Jacobs, from Jane Austen’s Pride and Prejudice), “There’s a Fine, Fine Line” (Robert Lopez/Jeff Marx, from Avenue Q), and “Part of Your World” (Alan Menken/Howard Ashman, from The Little Mermaid).

A stage and screen career obviously is not just based on ability, which Osnes has in spades.

From her backstories and timelines, it’s often a matter of schedules and availability and perhaps even luck and opportunity. Osnes isn’t crying over spilt milk, and this show is definitely not a pity party.

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She’s done very well for herself and, who knows, as the circle turns, she may eventually snag these desirable roles.

Steve Murray

Always interested in the arts, Steve was encouraged to begin producing and, in 1998, staged four, one-man vehicles starring San Francisco's most gifted performers. In 1999, he began the Viva Variety series, a live stage show with a threefold mission to highlight, support, and encourage gay and gay-friendly art in all the performance forms, to entertain and document the shows, and to contribute to the community by donating proceeds to local non-profits. The shows utilized the old variety show style popularized by his childhood idol Ed Sullivan. He’s produced over 150 successful shows, including parodies of Bette Davis’s gothic melodramedy Hush, Hush Sweet Charlotte and Joan Crawford’s very awful Trog. He joined Cabaret Scenes 2007 and enjoys the writing and relationships he’s built with very talented performers.