Celia Berk
You Can’t Rush Spring
September 30, 2014
Reviewed by Carla Gordon for Cabaret Scenes
The many voices of Celia Berk grace her classy new CD, You Can’t Rush Spring. Her songs conjure up Julie London sensuality and Jane Olivor storytelling without losing Celia Berk.
She builds into a sassy jazz swing in “You’re All the World to Me” (Burton Lane/Alan Jay Lerner).
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The cello is the perfect beginning for “Sometimes I’d Dream” (Jeffery Klitz/Julie Flanders) in which Berk offers a tender admission to an old love of fantasies about what could have been.
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Her oaky alto also delivers gossamer top notes. On “Go, My Love,” she brings these to Bach’s (Yes, that Bach) rangy melody and Norma Tanega’s sad, but not cloying, words about parting and absence. When it seemed that what this CD needed was extra fun, there’s “The Broken Record” (Cliff Friend/Charlie Tobias/Boyd Bunch) where the love song sticks and repeats. (Back in the day, it was covered by Louis Prima.) To use the lyricist’s word, this song is “daffy” and a smart closing track for an album of otherwise profound choices.
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Berk and arranger Alex Rybeck make the right team for this offering of lush, heartfelt songs.