Lynda D’Amour: Only When I Laugh
This was cabaret at its best.
This was cabaret at its best.
I would be remiss if I didn’t mention Abernathy’s beautiful resonant tenor; its warm timbre added luster to each of his offerings.
She swung, crooned, and balladeered her way through the Great American Songbook as if born to it.
Mary Catherine established herself as one of the top cabaret performers in Boston.
Showed us very little of this seductive high society and viewed the proceedings only through smoke-colored glasses.
Foster brought a sense of apt coherence to A Little Night Music that snapped the intricate plot into clarity so that the audience might revel in the proceedings and leave with a full heart.
A cohesive song cycle that provides a tender massage for the listener’s ears, mind, and heart.
Vannatter’s mellifluous singing, along with his elegant interpretations of Levy’s lyrics, that holds this recording together.
One of the most beautiful voices in the Boston cabaret scene.