Ann Kittredge
You Sleigh Me
Chelsea Table & Stage, NYC, December 3, 2025
Reviewed by Jacqueline Parker
Photos by James Gavin

To celebrate the release of her holiday album You Sleigh Me, Ann Kittredge gathered some of the finest talent around to help get the holidays started. What a party it was; a most memorable way to begin the holiday season. Appropriately, she began with “Sleigh Ride” (Leroy Anderson/Mitchell Parish), whose lyrics painted the quintessential holiday picture in one’s imagination, especially when it was followed by “A Place Called Home” (Alan Menken/Lynn Ahrens).

Just as the audience was visualizing a roaring fireplace, a shimmering Karen Mason took over to deliver a pre-code (so to speak) version of a song about the man who comes down the chimney: “Santa Claus Is Comin’ to Town” (J. Fred Coots/Haven Gillespie). With her signature facile yet nuanced body movements, Mason made it quite clear that naughty was definitely on the agenda for Christmas Eve.

Paul Rolnick, Mason’s husband and an accomplished producer and songwriter, performed a tune he wrote with Henry Cory, “It’ll Be Christmas Before You Know It” (so much talent in that family!). Kittredge followed with the touching number, “Each Ornament Has a Story” (Randy Klein/Matthew Hardy), with Klein at the piano. A familial feeling was emanating from the stage, and Kittredge enforced it with a medley of polka songs from her childhood.

To further delight her audience, Kittredge imported Brent Barrett from Las Vegas to join her in “Lovers on Christmas Eve” (Cy Coleman/Michael Stewart). Barrett also sang a number he wrote with Bernard Blanks, “Christmas Mornings.” Surprisingly, Kittredge chose a lesser-known number from Irving Berlin’s score for White Christmas, “Snow.” It was a prelude to another set of lyrics Berlin had written for Call Me Madam which were never used:“Free,” which elucidated how grand it was to be a citizen of the United States.

Jeff Harnar rounded out the quartet of talent Kittredge had invited for the evening and delivered a startlingly moving version of the “The Little Drummer Boy” by Katherine Kennicott Davis. Frankly, this is one holiday number that I don’t care for, or should I say heretofore didn’t care for. With his ability to coax every droplet of meaning and emotion from the song, Harnar’s rendition almost commanded attention to the message of this classic. It’s now in my top-ten list.
The skillful hand of Barry Kleinbort was evident in the direction of this show, music director Christopher Denny was at piano along with Mary Ann McSweeney on bass, and Rex Benincasa on drums. With cameos by Randy Klein and Alex Rybeck, our musical Christmas stockings were overflowing!

