Ben Jones & Laurence Hobgood

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Ben Jones & Laurence Hobgood

Birdland, NYC, August 18, 2025

Reviewed by Bart Greenberg

Benn Jones and Laurence Hobgood
Photo by Kevin Alvey

It was all about the music; there was barely any patter. Ben Jones was dressed casually (though elegantly). There was no particular theme or through line to the set list, which was made up mostly of pop songs from the later 20th century (with a few intriguing exceptions). Yet tenor Jones and pianist Laurence Hobgood blended together to create stage magic.

“Blended” is a key word here for several reasons. The selections were presented with very few breaks, and each song led into the next one, often with a contrasting mood or approach. It is not every day that one hears the angular “50 Ways to Leave Your Lover” (Paul Simon), which seamlessly transitioned into the classic “Shenandoah,” which Jones performed with aching simplicity. Then there was the jazz standard “If I Should Lose You” (Ralph Rainger/Leo Robin). That song originated in the now-forgotten movie Rose of the Rancho, where it was introduced by slumming Metropolitan Opera star Gladys Swarthout before it was embraced by jazz musicians that included Chet Baker and Shirley Horn. It was followed by the heartbreaking cabaret favorite, “Ballad of the Sad Young Men (Tommy Wolf/Fran Landesman). These songs really had nothing to do with each other, but the wonderful musicianship of the two performers made the sequence work.

Quite different from everything else performed was “But I Was Cool” (Oscar Brown, Jr.), the sole comedy number in the show. Jones delivered it with a grand combination of sexiness and humor that made us regret he hadn’t chosen more songs of this genre. However, the evening was brought to a close with his serene delivery of the classic “Nature Boy” (Eden Ahbez). Jones and Hobgood will soon be releasing a new CD that promises to offer the same kind of musical celebration that they presented at Birdland, and it will be all about the music.

Bart Greenberg

Bart Greenberg first discovered cabaret a few weeks after arriving in New York City by seeing Julie Wilson and William Roy performing Stephen Sondheim and Cole Porter outdoors at Rockefeller Center. It was instant love for both Ms. Wilson and the art form. Some years later, he was given the opportunity to create his own series of cabaret shows while working at Tower Records. "Any Wednesday" was born, a weekly half-hour performance by a singer promoting a new CD release. Ann Hampton Callaway launched the series. When Tower shut down, Bart was lucky to move the program across the street to Barnes & Noble, where it thrived under the generous support of the company. The series received both The MAC Board of Directors Award and The Bistro Award. Some of the performers who took part in "Any Wednesday" include Barbara Fasano and Eric Comstock, Tony Desare, Andrea Marcovicci, Carole Bufford, the Karens, Akers, Mason and Oberlin, and Julie Wilson. Privately, Greenberg is happily married to writer/photographer Mark Wallis, who as a performance artist in his native England gathered a major following as "I Am Cereal Killer."