Tom Culver

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Tom Culver

The Gardenia, West Hollywood, CA, March 15, 2025

Review and photo by Mary Bogue

Tom Culver

Singer/songwriter Tom Culver dazzled the audience with grace, charm, and a bohemian flair donned in his kimono jacket as he took to The Gardenia’s stage for an unforgettable night of plush music and exceptional storytelling. With the powerhouse trio of music director Karen Hernandez on piano, Michael Saucier on double bass, and Scott Breadman on drums, the show opened with a passionate and swinging rendition of “Take the ‘A’ Train” (Billy Strayhorn/Duke Ellington) that set the tone for a vibrant, globe-trotting evening.

A contemporary of the great Marilyn Maye, Culver—who has studied with her—effortlessly weaved personal anecdotes and musical history into his set. He tugged at our heartstrings with a poignant delivery of “Rain Sometimes” (Arthur Hamilton) and  reminded us that “love is not just for some time… love is for all time.”

The mood shifted to the playful and sultry with “You Don’t Have to Know the Language” (Jimmy Van Heusen/Johnny Burke), which Culver delivered with roguish innuendo and delightful clarity. Cindy White joined Culver for their co-written tune “Spring Is Really Cookin’,” a joyful, swinging number that declared it’s “never too late for love to bloom.”

Culver then transported us to Brazil when “Sand in My Shoes” (Frank Loesser/Victor Schertzinger) eased from a bluesy swing before it ignited into a samba that captured the thrill of romance under starlit skies. The trio then went full throttle on “On Green Dolphin Street” (Ned Washington/Bronislaw Kaper) and brought the house to a fever pitch with a Latin flair.

Culver closed the show with an open-hearted rendition of “I Love Being Here with You” (Peggy Lee/Bill Schluger) that was an affirmation of the affection shared between artist and audience. At the end of the show, it became clear: a night of cabaret with Tom Culver is like boarding a love train bound straight for heaven. If you missed this show, you can find Culver on all the major music streams.

Mary Bogue

Born to upstate New York parents Nelson Binner and Gladys Witt, Mary Bogue was the fourth of five children. Her love of acting was apparent early in her life, when she acted out imagined scenes in the second story hallway of their home on Division Street. Moving to California in 1959 only fueled the fire and soon she tried out and got the part in Beauty and the Beast, a children's production at The Old Globe Theatre in San Diego. The bug followed her into junior and high school productions, but when she struck out on her own in the early 70s, she found it wasn't as easy as sitting at the world famous Schwab's on Sunset. Her first audition stopped her dead in her tracks for years when the "casting director" expected nudity. It was only in 1990 that she returned to her first love, albeit slowly as she was a caregiver to 16 foster daughters. Only when she was cast in Antonio Bandera's directorial debut, Crazy in Alabama (1999)(which she was cut from) did she pursue this dream.