Andre Diniz & Matt Rodriguez
Reasons for Losing It: This Time We’re Addicted
Don’t Tell Mama, NYC, January 13, 2025
Reviewed by Bart Greenberg

Reasons for Losing It: This Time We’re Addicted is definitely not your mother’s cabaret show, unless perhaps your mother is Mother RuPaul. No, it didn’t feature drag, but it often seemed as though it might have. Andre Diniz and Matt Rodriguez charged the stage in the dark, uttering angry and somewhat obscene complaints. Throughout the show they insulted each other, their excellent musicians (Chris Stephens, pianist and co-music director, and Josh Azenberg, percussionist), and their excellent guest star Carlye Messman, and even the audience, who loved every moment of it.
In this, the first (or possibly second) in a proposed series, the subject was addictions in various forms. Diniz and Rodriguez both possessed abundant energy as they maintained an I-don’t-care attitude that was too extreme to be taken seriously. Happily, their voices blended well on the many duets they sang. The musical material consisted mostly of parodies of pop/rock classics that had new lyrics by Diniz, though there were some surprising ventures into musical theater (Annie and Sondheim). There was even a surprising mash-up delivered by Rodriguez of “I Don’t Care” (Jean Lenox/Harr O. Sutton) and “Life Is Just a Bowl of Cherries” (Ray Henderson/Lew Brown) that retained most of the original lyrics and was quite charming. More typical of the show was another medley of “Hot Stuff” (Pete Bellotte/Harold Faltermeyer & Keith Forsey) and “Love to Love You Baby” (Donna Summer/Giorgio Moroder & Bellotte), performed as a duet for the two leads of the show.
Guest vocalist Messman brought a strong presence and a powerful voice to the stage as she took part in the Sondheim section, which included a witty “Last Midnight” transformed into “Last Cabaret” that acknowledged the untraditional show the audience was attending. Her humor and vocal ability led to a hope of seeing her in her own program. But it was the two guys in their duets and solos who dominated the stage and the evening as they displayed dazzling clarity with their own lyrics on Sondheim’s “Your Fault” and doing unnatural things to the piano. Their quick return to the cabaret stage is certainly something to look forward to.