Bryce Edwards
The Bryce Edwards Frivolity Hour
Birdland, NYC, September 9, 2024
Reviewed by Jacqueline Parker
Birdland was truly jumping Monday night thanks to Bryce Edwards and his team of equally talented musicians who evoked the magic of the 1920s so skillfully that one wanted to start doing the Charleston after a few sips of bathtub gin. Edwards has a love for this era and its infectious music, and he delights in getting everyone to love it as much as he does. He played six—count ‘em six—different instruments, at one point playing two at a time and singing!
He began with “Fascinating Rhythm” (George & Ira Gershwin) that set the tone for an evening of superlative entertainment and ignored the fact that the song is now a century old. Edwards spiced it up with his own brand of scat, crediting Cliff Edwards while making it all his own. “Vo-Do-Do-De-O Blues” was another crowd pleaser, and it was followed by the familiar “Makin’ Whoopee” by Walter Donaldson and Gus Kahn. Edwards made his entire face become yet another instrument, and he rolled his eyes and slyly smiled to highlight the full importance of the lyric.
Reilly Wilmit, billed as a featured vocalist and songophonist, joined for several of the tunes. Clad in a red taffeta strapless dress and with hair that evoked the Breck Girls of the 1950s, she exuded the charm and glamour of the era. She joined Edwards for “Button Up Your Overcoat” (Henderson, Brown & DeSylva), and spoke to Edwards using the Betty Boop voice that Helen Kane was famous for, which furthered the feeling of being back in a time when life was simpler and sweeter.
No cabaret show about this era would be complete without a mention of Rudy Vallée, and Edwards described him beautifully, right down to his raccoon coat and megaphone. He even sang a song Vallée wrote with Charles E. Henderson entitled “Deep Night” from 1929. Edwards was supported by a quartet of musicians, all of whom looked as though they were having as much fun as he was in taking the audience on a trip through time to discover why the Twenties were roaring! Hats off to Scott Ricketts, Ricky Alexander, Conal Fowles, and Jay Rattman for helping Edwards make Birdland seem like a speakeasy, if only for an hour.