Michael Lavine Knows Everybody (in the Business)
- Post author:Alix Cohen
- Post published:November 18, 2020
- Reading time:0 mins read
Tags: Cabaret Scenes, Maryland, Alix Cohen, Great American Songbook, Broadway, London, Gavin Creel, Washington DC, Cabaret, Broadway Musicals, Stephen Sondheim, Jason Robert Brown, Betty Comden, Adolph Green, Jerry Herman, Ira Gershwin, American Songbook, Sweeney Todd, Nightclubs, Florida, Musicals, Adam Guettel, Tom Toce, Melissa Errico, Music, New York, Rodgers & Hart, Vocalists, CD, The Producers, Lew Spence, Composers, Charlie Chaplin, Italy, Cabaret Reviews, CD Reviews, Charlie Brown, Norm Lewis, Michael Lavine, Clubs, Australia, My Fair Lady, Columbia, The New York Sheet Music Society, Schroeder, Mack and Mabel, Baayork Lee, French, 54Below, Bucks County Playhouse, The Kennedy Center, USA, Arthur Siegel, Amazon, Mandarin, Amanda Green, Johanna, Angela Lansbury, Tyler Hanes, Switzerland, Phyllis Newman, Chinese, Jenn Gambatese, American Songbook Association, Rex Harrison, Israel, ASA, Fly with Me, ASA Cabaret Scenes, Suzuki method, Michael Lavine Knows Everybody (in the Business), Adventure Theater, Macbeth, Yamah, Glen Echo, Hansen’s Music Store, French Woods Festival of the Performing Arts, The Library of Congress, Mrs. Hammerstein, 42nd, Mrs. Rodgers, Joaquin Romaguera, Adolfo Pirelli, The Papermill Playhouse, Barnard, Carol Dorian, Applause Books, David Cleaver, The Drama Book Shop, Broadway Dreams, Roger Sturtevant, Peter Howard, Whoop Dee Do, They Don’t Make Em Like That Anymore, Love is a Simple Thing, Lausanne, The American Popular Song Society, Lost Broadway… and More, Amanda Watkins, Annette Tanner, Jamie Harris, Blake Daniel
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Alix Cohen
Alix Cohen’s writing began with poetry, segued into lyrics then took a commercial detour. She now authors pieces about culture/the arts, including reviews and features. A diehard proponent of cabaret, she’s also a theater aficionado, a voting member of Drama Desk, The Drama League and of The NY Press Club in addition to MAC. Currently, Alix writes for Cabaret Scenes, Theater Pizzazz, and Times Square Chronicles. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine and Times Square Chronicles. Alix is the recipient of 10 New York Press Club Awards.

