Wendy Scherl
Town and Country
Laurie Beechman Theatre, NYC, November 20, 2019
Reviewed by Bart Greenberg
The charming Wendy Scherl offered two views of her life—the New York native and the suburban transplant (though her songs were far more truly country-toned than upstate). What she offered to the audience is a strong soprano with a vibrato at the top reminiscent of Christine Ebersole and splendid enunciation. With a strong backup team of director Barry Kleinbort and music director Christopher Denny, plus bassist Steve Doyle and drummer Dan Gross, the singer covered all her bases.
Among the highlights of the evening were a personalized version of “The Lady Is a Tramp” that set up the theme of the evening, her deft handling of a flood of lyrics with David Yazbek’s “Lovesick,” and a clever mix of “Anything Goes” and “The Beat Goes On” to comment on dating in the current culture. Rusty Magee’s “New York Romance” was given a wonderful arrangement, while Carroll Coates’ “You’ll See” was given an effectively bittersweet treatment.
With the “country” section of the evening, Scherl had great fun with “Whatcha Gonna Do with a Cowboy?” (Garth Brooks/Mark D. Sanders) in which she added an adroit twang to her voice while Doyle made his bass sound like a fiddle. More humor came with Dan Kicks’ “I Don’t Want Love.” The vocalist also showed her affinity for the works of Marvin Hamlisch (with Carol Bayer Sager) in “I Still Believe in Love” and Burt Bacharach (Hal David) in “Whoever You Are, I Love You” And, of course, she had a clear connection with her director’s work (an emotional “The Kindest Man”).