A Conversation with Peter and Will Anderson
- Post author:Alix Cohen
- Post published:June 25, 2018
- Reading time:0 mins read
Tags: “Bix” Beiderbecke, 59E59 Theatres, Aaron Copeland, Alix Cohen, American Songbook, Artie Shaw, Benny Goodman, Broadway, Broadway Musicals, Burton Lane, Cabaret, Cabaret Reviews, Cabaret Scenes, Carnegie Hall, CD, CD Reviews, Charlie Parker, Chips Ahoy, Chopin, Clovis Nicolas, Clubs, Coleman Hawkins, Composers, Count Basie, Cy Coleman, Duke Ellington, Fats Waller, Francis Poulenc, French, George Gershwin, Great American Songbook, Harold Arlen, Harry Warren, Henry Mancini, Hoagy Carmichael, Illinois Jacquet, Irving Berlin, Jeb Patton, Jerome Kern, Jimmy Van Heusen, King Oliver, Leonard Bernstein, Lester Young, Louis Armstrong, Mary Lou Williams, Maryann Lopinto, Molly Ryan, Music, Musicals, New Orleans Dixieland, Nightclubs, Off-Broadway, Peter and Will Anderson, Phil Stewart, Popular Song, Richard Rodgers, Rosetta Stone, Show Tunes, Sidney Bechet, Singers, Songbook, Songbook Summit 2018, Standards, Steve Ash, Supper Clubs, Symphony Space, Tardo Hammer, Tchaikovsky, The Capitol Focus Band, Thelonious Monk, Venues, Vocalists
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Alix Cohen
Alix Cohen’s writing began with poetry, segued into lyrics then took a commercial detour. She now authors pieces about culture/the arts, including reviews and features. A diehard proponent of cabaret, she’s also a theater aficionado, a voting member of Drama Desk, The Drama League and of The NY Press Club in addition to MAC. Currently, Alix writes for Cabaret Scenes, Theater Pizzazz and Woman Around Town. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine and Times Square Chronicles. Alix is the recipient of six New York Press Club Awards.