A Conversation with Peter and Will Anderson
- Post author:Alix Cohen
- Post published:June 25, 2018
- Reading time:0 mins read
Tags: Venues, Thelonious Monk, Tardo Hammer, Aaron Copeland, French, Chopin, Louis Armstrong, Maryann Lopinto, Clubs, Tchaikovsky, Sidney Bechet, CD Reviews, Cabaret Reviews, Singers, Standards, Composers, Symphony Space, Carnegie Hall, Off-Broadway, CD, New Orleans Dixieland, “Bix” Beiderbecke, Steve Ash, 59E59 Theatres, Francis Poulenc, Rosetta Stone, Illinois Jacquet, Lester Young, King Oliver, The Capitol Focus Band, Vocalists, Chips Ahoy, Songbook Summit 2018, Peter and Will Anderson, Phil Stewart, Clovis Nicolas, Jeb Patton, Artie Shaw, Coleman Hawkins, Mary Lou Williams, Molly Ryan, Cy Coleman, Fats Waller, Harry Warren, Irving Berlin, Leonard Bernstein, Benny Goodman, Cabaret Scenes, Broadway Musicals, Cabaret, Harold Arlen, Hoagy Carmichael, Broadway, Great American Songbook, Alix Cohen, Musicals, Henry Mancini, Count Basie, Show Tunes, Charlie Parker, Jerome Kern, Music, Supper Clubs, Burton Lane, Nightclubs, Popular Song, Songbook, American Songbook, Duke Ellington, George Gershwin, Jimmy Van Heusen, Richard Rodgers
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Alix Cohen
Alix Cohen’s writing began with poetry, segued into lyrics then took a commercial detour. She now authors pieces about culture/the arts, including reviews and features. A diehard proponent of cabaret, she’s also a theater aficionado, a voting member of Drama Desk, The Drama League and of The NY Press Club in addition to MAC. Currently, Alix writes for Cabaret Scenes, Theater Pizzazz, and Times Square Chronicles. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine and Times Square Chronicles. Alix is the recipient of 10 New York Press Club Awards.

