A Conversation with Peter and Will Anderson
- Post author:Alix Cohen
- Post published:June 25, 2018
- Reading time:0 mins read
Tags: Popular Song, Coleman Hawkins, CD, King Oliver, Fats Waller, Clubs, Nightclubs, Artie Shaw, Harold Arlen, Off-Broadway, Lester Young, Maryann Lopinto, Musicals, Jeb Patton, Cabaret, Carnegie Hall, Illinois Jacquet, Cy Coleman, Louis Armstrong, Cabaret Scenes, Supper Clubs, Clovis Nicolas, Broadway Musicals, Symphony Space, Rosetta Stone, Burton Lane, Chopin, Music, Phil Stewart, Molly Ryan, Composers, Francis Poulenc, Richard Rodgers, French, Jerome Kern, Benny Goodman, Standards, 59E59 Theatres, Jimmy Van Heusen, Aaron Copeland, Alix Cohen, Charlie Parker, Peter and Will Anderson, Singers, Steve Ash, George Gershwin, Tardo Hammer, Great American Songbook, Show Tunes, Songbook Summit 2018, Leonard Bernstein, Cabaret Reviews, “Bix” Beiderbecke, Duke Ellington, Thelonious Monk, Broadway, Count Basie, Chips Ahoy, CD Reviews, American Songbook, Sidney Bechet, Hoagy Carmichael, Henry Mancini, New Orleans Dixieland, Irving Berlin, Venues, Songbook, Mary Lou Williams, Vocalists, The Capitol Focus Band, Harry Warren, Tchaikovsky
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Alix Cohen
Alix Cohen’s writing began with poetry, segued into lyrics then took a commercial detour. She now authors pieces about culture/the arts, including reviews and features. A diehard proponent of cabaret, she’s also a theater aficionado, a voting member of Drama Desk, The Drama League and of The NY Press Club in addition to MAC. Currently, Alix writes for Cabaret Scenes, Theater Pizzazz and Woman Around Town. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine and Times Square Chronicles. Alix is the recipient of 10 New York Press Club Awards.