Eric Comstock & Barbara Fasano: Come a Little Closer
- Post author:Marilyn Lester
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- Reading time:0 mins read
Tags: Cabaret Reviews, Revues, Sheldon Harnick, David Hajdu, Remind Me, Clubs, Once in a Lifetime, Love Is in the Air, Venues, Jazz Singers, Sean Smith, Singers, Standards, Musicians, Composers, Witchcraft, Leslie Bricusse, CD, Vocalists, Now I Have Everything, Bill Byrd, Henri Woode, Teddy McRae, Bittersweet, Hazel’s Hips, Japanese Folk Song, I Used to Like to Draw, April Come She Will, Easy Come Easy Go, Dorothy Fields, Johnny Hodges, How Little It Matters How Little We Know, Philip Springer, Come a Little Closer, Paul Simon, Renee Rosnes, Marilyn Lester, Barbara Fasano, Billy Strayhorn, Cy Coleman, Johnny Green, Carolyn Leigh, Irving Berlin, Broadway Musicals, Anthony Newley, Cabaret, Broadway, Sondheim, Great American Songbook, lyricists, Birdland, Eric Comstock, Cabaret Scenes, Duke Ellington, Show Tunes, Roger Schore, Blue Skies, Jazz Vocalists, Jerome Kern, Edward Heyman, Oscar Brown Jr., Jazz, Supper Clubs, Musicals, Nightclubs, Popular Song, Songbook, American Songbook, Jerry Bock
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Marilyn Lester
Marilyn Lester left journalism and commercial writing behind nearly two decades ago to write plays. That branch in the road led to screenwriting, script-doctoring, dramaturgy and producing for the stage. Marilyn has also co-authored, as well as edited, books. It seemed the only world of words she hadn’t conquered was criticism, an opportunity that presented itself via Theater Pizzazz. Marilyn has since sought to widen her scope in this form of writing she especially relishes. Marilyn is a member of the Authors Guild, Dramatists Guild, Women in the Arts and Media and The League of Professional Theater Women.

