outreach-banner.jpg

Tanya Moberly: The Jon Weber Show

| January 3, 2018 | 0 Comments

Tanya Moberly

The Jon Weber Show

Don’t Tell Mama, NYC, December 29, 2017

Reviewed by Bart Greenberg for Cabaret Scenes

Tanya Moberly

In the last of her series of six shows over the last few months of 2017, each with a different accompanist and a different theme, Tanya Moberly joined forces with brilliant jazz pianist Jon Weber for a tribute to Harry Nilsson, the songs he wrote, the songs he sang, and the songs other people wrote about him. It was a raucous, joyous evening.

Moberly has a wide-ranging talent that can offer up a bawdy “Makin’ Whoopee” one moment and a delicate “What’ll I Do?” the next. Her great strength is her connection with the audience—she clearly enjoys the partnership of artist and audience that is the essence of cabaret.

Weber matched Moberly’s skill with his own, slyly inserting musical jokes (a quote from “We’re in the Money” in the aforementioned “Makin’ Whoopee”), providing backup vocals on several other numbers, and providing musical support of the singer’s at times eccentric phrasing.

Moberly clearly loves the subject of the show, offering up some marvelous versions of “1941,” “The Puppy Song,” and “Open Your Window” among others. Her delivery of “Joy” was a comic masterpiece. Other highlights included a tribute from Eric Idle (“Harry”), several Beatles songs (Lennon & McCartney and Nilsson shared a mutual admiration society), and two wonderful selections by Bill Martin (“Fairfax Rag” and “City Life”) that offered fascinating views of the world.

At the end of the evening, Moberly declared, “I love my life! I love what I do!” and it is easy to believe that she does.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Category: Cabaret Reviews, New York City, New York City Cabaret Reviews, Regional

Leave a Reply

Cabaret-Scenes-Magazine-Promo-Ad-April-7
Read previous post:
Jan. 8: Gabrielle Stravelli & Billy Stritch

Stravelli is one of tiday's premier jazz vocalists; Stritch's keyboard skills are second to none.

Close