Joyce Breach

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Joyce Breach

Kitano, NYC, February 3, 2017

Reviewed by Peter Haas for Cabaret Scenes

Joyce Breach Photo: Heather Sullivan
Joyce Breach
Photo: Heather Sullivan

If I were designing Heaven, I’d include an intimate, cozy restaurant/bar featuring a grand jazz singer and a small, top-flight combo to accompany her. Oh! Wait! There is such a spot, here on Earth—singer and musicians included. It’s Kitano, on the midtown East Side, the singer is Joyce Breach, and the musicians are Jon Weber on piano and Jay Leonhart on bass—all of whom, on a recent February evening, graced the room with a program of favorite songs rendered in silken-smooth, easy-going melodious manner.

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Numbers included a lovely collection of classic hits by top songwriters, interpreted by Joyce with her warm-honey voice, and featuring numerous instrumental breaks by Jon and Jay (with Jay’s bowing accompanied occasionally by his spirited humming).

Songs included: “How About You?” by Burton Lane and Ralph Freed, originally introduced  in the Judy Garland/Mickey Rooney movie Babes on Broadway; “The Things We Did Last Summer,” by Sammy Cahn and Jule Styne; Bart Howard’s “You Are Not My First Love,” (“but you are the first to last”); two songs by Tom Jones and Harvey Schmidt (“Soon It’s Gonna Rain” from The Fantasticks, and “I’m Glad to See You’ve Got What You Want,” (a Weber solo)’ from Celebration; a classic Irving Berlin (“Love and the Weather”); two helpings of Richard Rodgers (“It Never Entered My Mind,” with lyrics by Lorenz Hart) and “The Sweetest Sounds” (lyrics by Rodgers, from No Strings); Cy Coleman/Dorothy Fields’ “It’s a Nice Face” (featuring Jay on bass). And  more.

Joyce Breach and her duo’s music, combined with Kitano’s menu and comfortable style, make for a lovely evening out—on this planet.

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Peter Haas

Writer, editor, lyricist and banjo plunker, Peter Haas has been contributing features and performance reviews for Cabaret Scenes since the magazine’s infancy. As a young folk-singer, he co-starred on Channel 13’s first children’s series, Once Upon a Day; wrote scripts, lyrics and performed on Pickwick Records’ children’s albums, and co-starred on the folk album, All Day Singing. In a corporate career, Peter managed editorial functions for CBS Records and McGraw-Hill, and today writes for a stable of business magazines. An ASCAP Award-winning lyricist, his work has been performed at Carnegie Hall, Feinstein’s, Metropolitan Room and other fine saloons.