Eric Comstock & Barbara Fasano: Come a Little Closer
- Post author:Marilyn Lester
- Post published:November 29, 2016
- Reading time:0 mins read
Tags: American Songbook, Anthony Newley, April Come She Will, Barbara Fasano, Bill Byrd, Billy Strayhorn, Birdland, Bittersweet, Blue Skies, Broadway, Broadway Musicals, Cabaret, Cabaret Reviews, Cabaret Scenes, Carolyn Leigh, CD, Clubs, Come a Little Closer, Composers, Cy Coleman, David Hajdu, Dorothy Fields, Duke Ellington, Easy Come Easy Go, Edward Heyman, Eric Comstock, Great American Songbook, Hazel’s Hips, Henri Woode, How Little It Matters How Little We Know, I Used to Like to Draw, Irving Berlin, Japanese Folk Song, Jazz, Jazz Singers, Jazz Vocalists, Jerome Kern, Jerry Bock, Johnny Green, Johnny Hodges, Leslie Bricusse, Love Is in the Air, lyricists, Marilyn Lester, Musicals, Musicians, Nightclubs, Now I Have Everything, Once in a Lifetime, Oscar Brown Jr., Paul Simon, Philip Springer, Popular Song, Remind Me, Renee Rosnes, Revues, Roger Schore, Sean Smith, Sheldon Harnick, Show Tunes, Singers, Sondheim, Songbook, Standards, Supper Clubs, Teddy McRae, Venues, Vocalists, Witchcraft
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Marilyn Lester
Marilyn Lester left journalism and commercial writing behind nearly two decades ago to write plays. That branch in the road led to screenwriting, script-doctoring, dramaturgy and producing for the stage. Marilyn has also co-authored, as well as edited, books. It seemed the only world of words she hadn’t conquered was criticism, an opportunity that presented itself via Theater Pizzazz. Marilyn has since sought to widen her scope in this form of writing she especially relishes. Marilyn is a member of the Authors Guild, Dramatists Guild, Women in the Arts and Media and The League of Professional Theater Women.