Aisha de Haas, Capathia Jenkins, Billy Stritch

Aisha de Haas, Capathia Jenkins, Billy Stritch

Stritch, Trouble and More Trouble

Birdland, NYC, November 14, 2016

Reviewed by Randolph B. Eigenbrode for Cabaret Scenes

Aisha deHaas, Capathia Jenkins, Billy Stritch
Aisha deHaas, Capathia Jenkins, Billy Stritch

Billy Stritch didn’t invoke the given names of his evening’s collaborators but, rather, jokingly introduced them as “Trouble” and “More Trouble.” While there’s little doubt that Aisha de Haas and Capathia Jenkins have a naughty streak, what’s more apparent is that Stritch seems to bring out the best in those he’s working with. And, in case of this trio, it was a whole lotta trouble by way of sass, wicked interpretations and, of course, some mean vocals.

Jenkins and de Haas and revealed that they’re the best of friends and it shows. Whether duetting on ’70s Motown, ’90s country or contemporary showtunes, they have an inherent connection. With her forward placement, de Haas colorfully imbues the phrasing like using crayons: drawing outside the lines with blue, red and purple. But when paired with the steady and understated Jenkins (and Stritch’s spot-on arrangements) the evening becomes more than just jazz night at Birdland.

Jenkins’ vocals on “The Way We Were” (Marvin Hamlisch/Alan & Marilyn Bergman) were transcendent: silk-like tones, careful control and laser-sharp intonation. A vocal pro, here she navigates the tightrope between sweetness and sadness, ending with a complex exhale. Moreover, de Haas has a sage-like appeal, almost presiding over pieces like “You’ll See” (Carroll Coates) and “The Trolley Song” (Hugh Martin). Of course, Stritch delivers, particularly with “Haven’t We Met?” (Kenny Rankin/Ruth Batchelor).  Time hasn’t aged his bright tone or slowed that fabulous swing phrasing.  And when the three joined together on the serene “Where Is the Love?” (Ralph MacDonald/William Salter), the rapport was so engaging that they seemingly invited the audience into their musical feast.

This evening shone like the sparkles adorning the ladies’ outfits and if this any indication of what “trouble” is, maybe we should all strive for a little less good.

Randolph B. Eigenbrode

Randolph is the newest addition to the writing staff at Cabaret Scenes. He is a cabaret teacher, previously teaching with legend Erv Raible, and his students have gone on to success in the field with sold-out shows and many awards. He is also a director and that, combined with a knowledge of the art form and techniques that cabaret performing encompasses, makes him love reviewing NYC’s cabaret scene. When not catching the Big Apple’s crazy talent, Randolph loves 1970s variety shows, mall Chinese food, Meryl Streep films and a good cold glass of pinot grigio.