Julia Fordham: Live & Untouched

  • Post author:
  • Reading time:3 mins read

Julia Fordham

Live & Untouched

Feinstein’s at the Nikko, San Francisco, CA, October 25, 2016

Reviewed by Steve Murray for Cabaret Scenes

Julia Fordham
Julia Fordham

English songbird Julia Fordham seemed positively ebullient at her recent gig at Feinstein’s, probably buoyed by her latest live CD release and recent U.S. citizenship. Certainly she was affected by the sheer adulation afforded her by her adoring and loyal fan base. Fordham, who was in great voice, delivered one of her finest live performances.

She comes from a golden age of female singer-songwriters, having developed fine attention to her deeply emotional, poetic lyrics. Her metaphors paint lovely pictures, like in her hit, “Porcelain,” where she tells her lover “you treat my skin like porcelain, rare and special porcelain.” Her musical style is part pop, folk and a little jazz, similar to icon Joni Mitchell, with the stunning imagery of a Nick Drake. There’s a deep sadness to her bittersweet love songs, a palpable heartache heightened by the slight quiver in her soprano. In “Girlfriend,” Fordham is a wounded soul, asking her ex-lover to hold her while she sorts out her life. She exhorts him, “Don’t push me for my reasons/Or expect me to explain/How can I in five minutes shift a lifetime’s hidden pain.” We’ve all felt vulnerable and exposed in love and her songs, like “Towerblock,” are touchstones to those feelings.

Backed by the beautifully lyrical pianist Jon Gilutin, Fordham accompanies herself on the acoustic guitar, tambourine, bells and shakers. Her voice is clear and precise and you listen to her with rapt attention. It’s not all sturm und drang in her material. There’s an optimistic, if not proactive, perspective to love. “(Love Moves in) Mysterious Ways” (Tom Snow/Dean Pitchford), a huge hit for Fordham, speaks to longevity of romance, while in “Love,” her commitment is so strong she’d take a bullet for her man.

Fordham bantered with fans, accepted champagne, and gratefully acknowledged the enthusiasm and love offered by them. She closed the show with the moving “Stay,” a plea for love’s assurance of togetherness, followed by “Songbird,” inspired by the second presidential debate, and her beautiful “Skipping Under the Rainbow.” Fordham is a rare songbird indeed, able to evoke expressive landscapes of the heart that touch you with their range and depth. Her songs wash over you like a healing waterfall transporting you into a shared experience that must be not only heard, but felt.

Steve Murray

Always interested in the arts, Steve was encouraged to begin producing and, in 1998, staged four, one-man vehicles starring San Francisco's most gifted performers. In 1999, he began the Viva Variety series, a live stage show with a threefold mission to highlight, support, and encourage gay and gay-friendly art in all the performance forms, to entertain and document the shows, and to contribute to the community by donating proceeds to local non-profits. The shows utilized the old variety show style popularized by his childhood idol Ed Sullivan. He’s produced over 150 successful shows, including parodies of Bette Davis’s gothic melodramedy Hush, Hush Sweet Charlotte and Joan Crawford’s very awful Trog. He joined Cabaret Scenes 2007 and enjoys the writing and relationships he’s built with very talented performers.