Kelli O’Hara

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Kelli O’Hara

Venetian Room, San Francisco, CA, September, 24, 2016

Reviewed by Steve Murray for Cabaret Scenes

kelli-ohara-cabaret-scenes-magazine_212Bay Area Cabaret opened its season with Kelli O’Hara, currently one of the hottest talents on Broadway. O’Hara, a classically trained opera singer, won the Tony Award for Best Leading Actress in a Musical for her performance as Anna Leonowens in the Lincoln Center revival of The King and I. Other successes include nominations for five additional Tony awards for her work in South Pacific, The Light in the Piazza, The Pajama Game, The Bridges of Madison County and Nice Work if You Can Get It. O’Hara lives up to that very high standard, displaying a personable, authentic charm.

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Of course she can truly amaze on Broadway tunes like “I Have Dreamed” (The King and I) and “A Wonderful Guy” from South Pacific. Her pitch-perfect regal soprano is at the top of the game.

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 Her phrasing is immaculate, with a little trill that flutters like hummingbird. I prefer her lower registers or her more challenging material, like beautiful deliveries on Jason Robert Brown’s “To Build Myself a Home” from The Bridges of Madison County, or Sondheim’s “What More Do I Need?” from the musical Saturday Night. She really sinks her teeth into “That’s How I Say Goodbye,” a stunningly poignant Marvin Hamlisch/Craig Carnelia ballad cut from the Broadway version of Sweet Smell of Success.

O’Hara was accompanied by pianist/composer Dan Lipton who wrote the crowd-pleasing “They Don’t Let You in the Opera (If You’re a Country Star),” an almost perfectly autobiographical song for the Oklahoma-born O’Hara. Displaying her songwriting skills, she sang a heartfelt ballad titled “Here Now,” a tribute to her hardworking grandfather. Closer to home, she sang the folk/pop tune “The Sun Went Out” written by husband Greg Naughton. My set highlight was Sondheim’s “Finishing the Hat” from Sunday in the Park with George. It speaks to the creation of beauty, which O’Hara has been doing for quite some time. She’s a woman satisfied with her life, the balance of family and work, and the gratitude she expresses.

Steve Murray

Always interested in the arts, Steve was encouraged to begin producing and, in 1998, staged four, one-man vehicles starring San Francisco's most gifted performers. In 1999, he began the Viva Variety series, a live stage show with a threefold mission to highlight, support, and encourage gay and gay-friendly art in all the performance forms, to entertain and document the shows, and to contribute to the community by donating proceeds to local non-profits. The shows utilized the old variety show style popularized by his childhood idol Ed Sullivan. He’s produced over 150 successful shows, including parodies of Bette Davis’s gothic melodramedy Hush, Hush Sweet Charlotte and Joan Crawford’s very awful Trog. He joined Cabaret Scenes 2007 and enjoys the writing and relationships he’s built with very talented performers.