Spring & Summer: The Spring Awakening Cast Reunion

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Spring & Summer:
The Spring Awakening Cast Reunion

54 Below, NYC, August 30, 2015

Reviewed by Joel Benjamin for Cabaret Scenes

Spring-and-Summer-Spring-Awakening-Cabaret-Scenes-Magazine_212Lately, in what appears to be a mini-trend, 54 Below has been presenting big-cast variations on its 54 Sings… franchise—fitting more than four or five performers on that small, but elegant, stage.

Spring & Summer: The Spring Awakening Cast Reunion combined the talents of members of the original Broadway cast, the touring company and the upcoming Broadway revival. The latter included, in a novel twist, practitioners of the American Sign Language for the Deaf, whose sometimes delicate, sometimes robust movements added unexpected beauty.

One by one, unabashedly talented young performers sang numbers from the show or songs they wrote themselves.
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Representing the latter were Katie Boeck’s “Cold Water” and Christy Altomare’s “We Know How to Party,” the first about the excitement of creating songs and the second a very youthful look at having fun. Also original was Austin McKenzie’s “Brother” which, as sung in his high, tense voice, had a touch of anger as he mused about taking care of each other, and “Happy Ever After,” written and sung by Alexandra Winter, remembering good times before a breakup.
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From Spring Awakening (Duncan Sheik): “Mama Who Bore Me” sung like a simple, moving folk song by Boeck, signed by Sandra Mae Frank, and “I Don’t Do Sadness,” in a raging interpretation by Alex Boniello with fascinating signing by Daniel Durant. Sheik made an appearance playing guitar for Krystina Alabado’s interpretation of his “Barely Breathing.”

Two anomalous numbers were odd highlights. Julie Benko’s swinging version—yes, a swinging version—of “Matchmaker, Matchmaker” (Bock/Harnick) with her significant other, Jason Yaeger, at the piano. On “Be a Lion” from The Wiz (Charlie Smalls), a tiny Ali Stroker displayed an amazingly large voice in this musical exhortation.

The other performers were Zach Reiner-Harris, Sean Grandillo, Amanda Castaños, Kathryn Gallagher, Justin Scott Brown, Claire Sparks, Anthony Lee Medina, Gabe Violett and Taylor Trensch.

Charity Wicks on piano led a boisterous, colorful band, which included Trey Files on drums and Ben Lively on guitar and violin.
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Joel Benjamin

A native New Yorker, Joel was always fascinated by musical theater. Luckily, he was able to be a part of seven Broadway musicals before the age of 14, quitting to pursue a pre-med degree, which led no where except back to performing in the guise of directing a touring ballet troupe. Always interested in writing, he wrote a short play in high school that was actually performed, leading to a hiatus of nearly 40 years before he returned to writing as a reviewer. Writing for Cabaret Scenes has kept him in touch with world filled with brilliance.